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Wednesday, August 26, 2009

pre-order a signed edition of the Comic Book Torah



For three years, Sharon Rosenzweig and Aaron Freeman have been collaborating on The Comic Torah: A graphic re-imagining of The Very Good Book. They've refined their story and characters as they posted them online each week at The Comic Torah website.

Now, Ben Yehuda Press wants to publish The Comic Torah as a full-color book. They need to find enough fans and supporters to fund a first printing. This is your chance to pre-order The Comic Torah -- and show there's enough support to justify publication.

For a $22 (US) pledge - the retail price of the book if it get published - you can guarantee yourself a signed copy of the book if it gets published. If there aren't enough pledges by the deadline (Nov. 18th), noone is required to pay. If there are enough pledges by the deadline, the money is transferred, the book gets published and the $22+ pledgers get their books sent to them.

It's like a different version of print-on-demand ... publish-on-demand.

For more details, please go to http://www.kickstarter.com/projects/391391432/the-comic-torah-the-book, where you can watch a short promotional video starring Aaron & Sharon (and showing what the full-color cover will look like).

Call for Submissions - Gender Outlaws

Since the collection will include comics - and since it is being co-edited by ing Kate Bornstein (known as "major Jewess with Attitude"), I am posting the followinf Call for Submissions :

Call For Submissions
GENDER OUTLAWS: THE NEXT GENERATION
Kate Bornstein & S. Bear Bergman, eds

Deadline: 1 September 2009

In the fifteen years since the release of Gender Outlaw, transgender narratives have made their way into cultural locations from the margins to the mainstream and back again. Today's trannies and other sex/gender radicals are writing a radically new world into being. GENDER OUTLAWS: THE NEXT GENERATION (Seal Press) will collect and contextualize the work of this generation's most forward-thinking trans/genderqueer voices-new voices from the stage, on the streets, in the workplace, in the bedroom, and on the pages and websites of the world's most respected mainstream news sources. Edited by that ol' original Gender Outlaw herself, Kate Bornstein and writer, raconteur, and theater artist S. Bear Bergman, GENDER OUTLAWS: THE NEXT GENERATION will include essays, commentary, comic art and conversation from a diverse a group of trans-spectrum people who live and believe in barrier-breaking lives.

*What we're looking for*

GENDER OUTLAWS: THE NEXT GENERATION wants to collect work that represents a quantum leap forward in thinking and talking about gender and the gender binary, in the same way Gender Outlaw did almost twenty years ago. So blow us away. Bring the smart, bring the sexy, blind us with science, break the gender barrier, shine a bright light (or a disco ball) on the whole gender situation. Tell us about your future, what you imagine, how you want things to go and what you (and your friends) intend to do about it. Think big.

We'll look at whatever you have for us - essays, graphic art, interviews/conversations, haiku, rants - as long as you're thinking smart and fresh about sex and gender (and being an outlaw, of course). We will feel especially keen about your work if it adds to or advances the conversation about gender (as distinct from simply reflecting it, or lamenting it).

People of any identity are encouraged to submit work. This means you - yes, you!

We intend to privilege non-normatively gendered/sexed voices in the book but will include all the good stuff we can, regardless of current identifiers of the author.

*The Details*

Deadline: Sept 1 (early submissions are encouraged). Submissions should be unpublished; query if you have a reprint that you think we'll swoon for. While we hesitate to list a maximum, please query first for pieces over 4,000 words. If you have an idea and need help writing it out, contact us to discuss an interview-style piece or other accommodations.

Submit as a Word document or black/white JPEG (no files over 2MB). Please include a cover letter with a brief bio and full contact information (mailing address, phone number, pseudonym if appropriate) when you submit. Submissions without complete contact information will be deleted unread. Payment will be $50 and 2 copies of the book upon publication in Fall 2010. Contributors retain the rights to their pieces. Send your submission as an attachment to genderoutlawsnextgeneration@gmail.com.

~please repost lots and lots, as appropriate~

Wednesday, July 22, 2009

Creators of Jewish comic stories at SDCCI

Tomorrow, the 2009 San Diego Comic Con begins. If you don't have a pass for it yet, forget it ; they're all sold out!

In attendance will be a whole bunch of writers and artists who have worked / are working on Jewish comic stories (and many of them are Jewish themselves).

Below is a list I have compiled.

Sergio Aragonés (who illustrated the "Fanny Hillman : Jewish Madam" books and adapted the Jonah story for Testament)

Peter David (who infamously used the names of seder plate items for aliens in a Star Trek novel and who wrote the stories for The Incredible Hulk #386-387 ; see
http://www.leaderslair.com/noexcuses/hulk2-386.html and http://www.leaderslair.com/noexcuses/hulk2-387.html)

Tony deZuniga (illustrator of the stories "Black Crossing" and "There Comes Now Raging Fire" in Strange Tales #176 & #177)

Mark Evanier (author of a Crossfire story for a Free Comic Book Day comic involving a Holocaust survivor who tries to kill a suspected Nazi war criminal)

Danny Fingeroth (author of Disguised as Clark Kent : Jews, Comics and the Creation of the Superhero)

Neil Gaiman (Jewish author who retold a midrash on Adam's 2nd wife and had a Jewish musician meet Death in the pages of his Sandman series)

Sammy Harkham (author-illustrator of "Lubavitch, Ukraine 1876", which appeared in Kramer's Ergot #6)

Arie Kaplan (author of From Krakow to Krypton: Jews and Comic Books, as well as the story "Not a (Green, Slimy) Creature was Stirring" in The Simpsons Winter Wing Ding #3) [Arie will be an attendee, not an exhibitor]

Neil Kleid (author of the graphic novel Brownsville, as well as the forthcoming Migdal David and The Big Khan)

Peter Kuper (author-illustrator of the short biographical story "Promised Land" in Bleeding Heart #2, as well as the book-length autobiographical Stop Forgetting to Remember : The Autobiography of Walter Kurtz)

Scott Kurtz (author-illustrator of PVP, the Eisner-award-winning online comic strip which in 2006 made a joke about the Superman Returns movie being "a Jewish conspiracy to convince Christians that Jesus was gay")

Stan Lee (Jewish comics legend who co-created the Fantastic Four, which has a Jewish chartacter called The Thing and who appeared in the story "What if the Original Marvel Bullpen was the Fantastic Four?" in What If? #11)

Paul Levitz (author of "Tradition" in DC Comics' 9-11 September 11th 2001)

Miriam Libicki (author of the jobnik! series, the first volume of which has been collected in trade paperback)

Rob Liefeld (illustrator of stories in the Youngblood series, which included the Israeli superheroine Masada)

Jason Lutes (author-illustrator of the comic series berlin, which has been collected in the trade paperbacks Berlin : City of Stones and Berlin : City of Smoke and author of Houdini : The Handcuff King)

Jim Mahfood (author of Grrl Scouts, which had a Jewish character)

Todd McFarlane (co-plotter of the story "Remains" in Spawn #103)

Doug Moench (author of "The Greatest Evil" story in Batman #551-552)

Steve Niles (author of the golem story Criminal Macabre: Feat of Clay)

Jimmy Palmiotti (co-creator of the Monolith)

Stephan Pastis (author-illustrator of the syndicated comic strip Pearls Before Swine, which had a strip about a bombing in Jeruslaem)

a TV set tells the horror of an attck on an Israeli bus and the young victims who were on it

Chari Pere (author-illustrator of the webcomic Of Biblical Proportions) [Chari will be an attendee, not an exhibitor]

Trina Robbins (co-author of "Zog Nit Keyn Mol : the Partisans Song" and author of "The Triangle Fire" which was published in both Corporate Crime Comics #2 and Lilith Magazine #2)

Jon Rosenberg (author-illustrator of the webcomic Goats which includes the Jewish character "Jon", as seen in the strip from Nov. 24, 2005)

Bill Sienkiewicz (illustrator of the story "Into the Abyss" in New Mutants #27, which had the Israeli mutant character Legion)

Gail Simone (who wrote the story "Li'l Krusty in Give a Hoot, Stay in School" in Simpsons #62)

Richard Starkings (co-author of Elephantmen #2, which had a rabbi character in it [or a character called "Rabbi"])

Cameron Stewart (illustrator of Manhattan Guardian #1, in which the title character battles a golem)

J. Michael Straczynski (author of the Spider-Man story "You Want Pants with That?" and the Rising Stars story "Selah")

Len Wein (writer of the golem story in Strange
Tales
#174 - see http://www.marvunapp.com/Appendix/golem1.htm)

G. Willow Wilson (author of the graphic novel Cairo)

Judd Winick (author-illustrator of Pedro and Me and Caper #1-4)

Marv Wolfman (author of The story "Return from the Grave!" in Tomb of Dracula #27, "Introducing the Hybrid" in The New Teen Titans #24 and Homeland : The Illustrated History of the State of Israel)

Below are sessions that might be of interest to those who enjoy Jewish comics &/or those inetersted in Jewish cartoonists.

Thursday

1:30-2:30 Spotlight on Jerry Robinson — One of the true legends of comics, Comic-Con special guest Jerry Robinson is a writer, artist, comics historian, museum show curator, and creator rights activist. Noted comics writer and editor Mark Waid (BOOM! Studios editor-in-chief) interviews Jerry about his life in comics, from his early days on Batman to his founding of the Bill Finger Excellence in Comic Writing Award. Room 4

Saturday
11:00-12:00 Spirituality in Comics — Panelists discuss the influence of spiritual themes in comics and popular culture, and the importance of spirituality to readers, creators, and the stories they tell. Moderated by Scott Shuford of the Christian Comic Arts Society, with panelists including Holly Golightly (School Bites), Buzz Dixon (Serenity, Goofyfoot Gurl), Leo Partible (Behind the Screen: Insiders on Faith), and others. Room 3

1:00-2:00 Comics Arts Conference Session #11: The (Strange) State of Siegel and Shuster Scholarship — Brad Ricca (Case Western Reserve University), director of Last Son, a scholarly documentary on Siegel and Shuster, moderates this conversational panel featuring Craig Yoe (Secret Identity: The Fetish Art of Superman Co-Creator Joe Shuster) and Lauren Agostino, an independent scholar, who will share letters connected to the 1947 lawsuit and portions of the original Superboy script that completely upset a lot of myths about who created Superboy. Room 30AB

5:00-6:00 Graphic Novels: Sense of History — There's a wonderful world of history awaiting you in numerous graphic novels available now. Whether it be real life stories adapting historical events to the comics form or fiction taking place in a specific time, these practitioners of the historical graphic novel are all presenting work at the top of their form. Moderator Randy Duncan (co-chair of the Comics Arts Conference) talks to Rick Geary (Treasury of XX Century Murder: Famous Players), David Petersen (Mouse Guard), Stan Sakai (Usagi Yojimbo), Jason Lutes (Berlin), Chris Schweizer (Crogan's Vengeance), and Eric Shanower (Age of Bronze) about their individual takes on history. Room 8

6:00-7:00 Harvey Kurtzman/MAD— The creator of MAD and Playboy's "Little Annie Fanny," Harvey Kurtzman was called "one of the most important figures in postwar America" by the New York Times. Kurtzman discovered Robert Crumb and gave Gloria Steinem her first job in publishing. Terry Gilliam started at Kurtzman's side, met an unknown John Cleese in the process, and the genesis of Monty Python took place. Art Speigelman has said that he owes his career to Kurtzman. And Kurtzman is one of Playboy publisher Hugh Hefner's favorite artists. Harvey was an astonishingly talented and influential artist, writer, editor, and satirist without whom treasures such as Saturday Night Live, Airplane!, and The Simpsons may never have been conceived. This panel promises to be a lively discussion about the life and work of "The MAD Genius of Comics," led by comics historian Mark Evanier and featuring Kurtzman's daughter, Nellie Kurtzman; the author of the just released The Art of Harvey Kurtzman the MAD Genius of Comics, Dennis Kitchen; Paul Levitz (president/publisher of DC Comics/MAD); William Stout (a colleague of Kurtzman who worked on "Little Annie Fanny"); and Charles Kochman (executive editor of Abrams ComicArts). Room 3

Sunday
10:00-11:00 The Annual Jack Kirby Tribute Panel — Fifteen years ago, Jack Kirby left us, but his vision and creations live on to inspire everyone who comes into contact with his work. Mark Evanier (author, Kirby: King of Comics) moderates this annual tribute to the King. Joining Mark this year will be actor Bill Mumy, Kirby inker Mike Royer, editor Steve Saffel, and members of the legendary "5-String Mob," a group of Comic-Con founding members who Kirby immortalized in the pages of Jimmy Olsen: Barry Alfonso, Roger Freedman, William R. Lund, Scott Shaw!, and Mike Towry. Room 4

10:00-11:00 Christian Comics Meeting — What are the different ways that Christian creators express their faith through their art? How can "new media" best be used to communicate timeless truths? Discuss the latest trends of the Christian comics movement with moderator Buzz Dixon (Serenity, Goofyfoot Gurl) and panelists Eric Jansen (Foursquare Missions Press), Leo Partible (Behind the Screen: Insiders on Faith, Film & Culture), and others. A short sermon and worship music will precede the panel discussion. Room 24A

Finally, I have listed below the Jewish comics works which have been nomianted for an Eisner award.

Best Humor Publication
Wondermark: Beards of Our Forefathers by David Malki (contains some funny Jewish jokes)

Best Graphic Album -- Reprint
Berlin Book 2: City of Smoke by Jason Lutes

Best Archival Collection/Project – Strips
Explainers by Jules Feiffer

Best Archival Collection/Project -- Comic Books
Breakdowns: Portrait of the Artist as a Young %@&*! by Art Spiegelman


Best U.S. Edition of International Material
The Rabbi’s Cat 2 by Joann Sfar

Best Writer/Artist
Jason Lutes, Berlin

Best Publication Design
Breakdowns: Portrait of the Artist as a Young %@&*! designed by Art Spiegelman

Tuesday, June 23, 2009

MOCCA Fest 2009 Report - Hey Yids, Comics

Line of people waiting to storm the armory

As those who either follow this blog or read my American buddy Rachel Freedenberg's blog are already aware, two weeks ago, I went to New York City (aka Manhattan) to attend this year's annual Museum of Comic and Cartoon Art Festival, held at the Lexington Avenue Armory.

I won't belabor the fact that it should have been less heated in the main space, as people who want to read rants about that can simply choose from a selection of MOCCA Fest reports at Tom Spurgeon's The Comics Reporter site to see what's been written already.

I'm happy to report that I met most of the comix professionals I had hoped to meet there, whom I listed in my last post.

I was pleasantly surprised to learn about other writers and illustrators of Jewish-content comic stories were in attendance, as well. While I like a nice surprise as much as the next fellow, I prefer to get a good idea of who exactly will be at a comix gathering, and where they will be scheduled to appear. I'm not a stalker, but I am someone who likes to try to be organized and prepared. From the point of view of exhibitors and guests, I have already read a number of complaints about their fans missing (or almost missing) the chance to meet them because their names weren't in the program booklet. It might also have helped to have a list of those who - for whatever reason - couldn't be included in the program booklet. Perhaps such a list could have been displayed at the MOCCA table (which was in the front, at the center of the room).

Below, I present to you, (in alphabetical order, yet) creators of Jewish comix and Jewish comix fans who were at the Festival and whom I did not list in my last post :

* Jonathan Baylis (author of So ... Buttons mini-comic)

* Nick Bertozzi (illustrator of Houdini : The Handcuff King

* Ryan Dunlavey (artist of "Isaac ben-Luria: Rabbi of the Mystic Arts!" in Action Philosophers #4, reprinted in Action Philosophers Giant Size Thing volume 2)

* Josh Eiserike (writer of the stories in the comic series Assholes, whose Liberal Crap comic strips for University of Maryland's Diamondback student newspaper included a cartoon about Jewish dating websites and a cartoon about the perks (and downside) of being Jewish)

* Bob Fingerman (author of Beg the Question, about "a snarky and buttoned-down Jew", as well as the mini-series White Like She, in which there are multiple brain transplants, one of them being into - and out of - a young Jewish radical woman)

* Rivkah Greulich, (author-illustrator of the manga-ish miniseries Steady Beat, which has the half-African-American, half-Jewish character Elijah Peter)

* Dean Haspiel (illustrator of many Harvey Pekar stories, including his graphic novels The Quitter and Ego & Hubris : The Michael Malice Story)

* Bernie Hou (author of the photoshop-produced Alien Loves Predator webcomic, which has included a comic about Jdate and one that refers to Jews for Jesus)

* Joe Infurnari (cartoonist of Working Girl Golem, which appeared in Heeb #17)

* Sarah Jaffe (Newsarama writer)

* Arie Kaplan (author of From Krakow to Krypton: Jews and Comics, as well as the story "Not a (Green, Slimy) Creature was Stirring" in The Simpsons Winter Wing Ding #3)

* T.J. Kirsch (one of the illustrators of the So ... Buttons mini-comic)

* "Kung Fu Jew 18" (comix fan, who posted his photos from the Festival at Flickr, in the group Jews at MoCCA Fest 2009)

Steve Bergson and Josh Lipowsky near the armory on Sunday

* Josh Lipowsky, an editor of the New Jersey Jewish Standard

* David Malki! (author of the Wondermark webcomic, which has been collected in trade paperback). Among the comics that have appeared on the site is one with the punch line "Hannukah bush", one about the Jewish New Year, one that uses the juice/Jews homonym joke and one about Hebephiles

* Dylan Meconis (author-illustrator of the webcomic Family Man, about a Jewish academic named Luther Levy, who was unable to defend his dissertation because of his faith)

* Mike (blogger of Satisfactory Comics blog)

* Jim Ottaviani (author of Wire Mothers: Harry Harlow and the Science of Love and Fallout : J. Robert Oppenheimer, Leo Szilard, and the Political Science of the Atomic Bomb)

* Elayne Riggs (comics fan and blogger for Pen-Elayne on the Web

* Mitch Roth (artist of the comic series Assholes)

* Emily Steinberg (cartoonist of the online autobiographical webcomic memoir Graphic Therapy - Notes from the Gap Years)

* Lauren Weinstein (author-illustrator of the anthology Girl Stories, which includes the story "Chanukah Blues", as well as of the story "Horse Camp" which appeared in the anthology Stuck in the Middle).

*****

I only attended 2 panels during the whole Festival (though I did catch the very end of Charles Hatfield's panel on Jack Kirby).

The first was the panel about Jerry Robinson, which ended with him receiving the Klein award from Danny Fingeroth.

Jerry Robisnon, Larry Klein, & Danny Fingeroth

The other session I went to was a panel about the humor magazine Humbug, which was discussed by two of its creators - Al Jaffee and Arnold Roth - and Fantagraphics editor Gary Groth.

Al Jaffee, Arnold Roth, Gary Groth

One of the sessions I did not attend was the one in which Gary Panter and Frank Santoro discussed the world of fine art and its influences upon comics. Thanks to the Squally Showers blog, I learned that one of the illustrations shown during the panel was the cover of Zap Comix #3, which has Hebrew on one of the covers (the comic was a flip book). In the cover in question, a bug creature is saying either "Yehoshua" (the Hebrew form of Joshua) or "Y'shua" (the Hebrew form of Jesus) and actual Hebrew characters are used (which doesn't happen very often on the covers of non-Israeli comic books).

******

Much time was spent acquiring skecthes. I usually try to get "Jewish" sketches for myself (mostly rabbis) at gatherings of cartoonists. On this trip, though, I got a small number of Archie sketches for my wife (one of them cost $5.00 ; the rest were free). I also got over 20 sketches for my cousin & her fiance who just got married on Sunday. It was funny when - at one point during the Festival - the fiance was standing quite close to where he was being sketched (unbeknownst to him).

******

Comics which I paid money for

Owly : Tiny Tales (Top Shelf, 2008) by Andy Runton. 175 pages
My wife and I are big Owly fans and this is the only book we hadn't bought yet.
Cover price : $10.00
My cost : $5.00

So ... Buttons (the first mini, 2007), 24 pages.
Cover price : $3.00
My price : $3.00
The author, Jonathan Baylis (mentioned above) is Jewish and his Jewishness is evident in many of the stories in this comic, including "So ... My Dad Got Drafted" (in which Jonathan's father expresses his disdain for France because "Dey hate da Jews" and Jonathan mentions (after their dinner of ribs) that their stomachs were full of pork "like the good Jews we are" ; "So ... Racist", in which he shows what it was like to be the only Jew in a white, Italian town, shows how he was misperceived as a "goyishe schmuck" when he went to a kosher bakery after college, and where he imagines a porn movie titled "Jewish Schmeckle, Black Peckle" ; "So ... Only Nixon Could've Gone to China" shows Jonathan visiting a concentration camp while on a trip to Germany. Incidentally, I enjoyed that last story better when I read it on Baylis's website, since it had the music playing in the background while you read the last page.

Palindramas Book 2 by Dan Mazur, 17 pages.
I think I paid the book cost, which I recall as being $1.00 (I can't find a price on it). This is a fun book, Jewish content or not. The gags are short (no longer than 2 pages) and consist, at least in part, of a palindrome (a phrase or word which reads the same backward or forward). The "Jewish" comic is on the last page of the book and involves the palindrome "Yoga / A Goy".
I might not have bought the comic if I realized the joke was online. Then again, it was an inexpensive purchase.

Assholes #2 (2008) by Josh Eiserike and Mitch Roth (see above), 24 pages
Cover price : $3.00
My price : $3.00
I wasn't going to buy this, as I'd just assumed that there wasn't anything significantly Jewish in it (having already read issue #1 online). However, Josh (or Mitch) pointed out to me that there's a 4-page scene in which Josh is on a date with a "right-wing Orthodox virgin" who's Jewish. In the story, the virgin's cousin, Andrea, bails Josh and Mitch out of a Mexican prison. However, she uses that act of kindness to get a favor from each of them. Mitch is chosen to go on the date because the virgin (who is never named) had gone to Hebrew school with Josh's cousin (whom Josh had sex with in the last issue). The comic explains the "Holocaust drinking game" (when you try to drink 6 million beers). The date ends rather quickly once Mitch realizes that he's not going to end up getting physical in any way, shape or form with "the virgin".

Clint and Rosebud #1 (2008) by Ben Granoff, 24 pages
Cover price : $1.00
My price : $1.00 (but I also got a sketch from Ben, so I consider it a bargain)
There's essentially nothing Jewish in the stories, though in one of the stories Ben mentions that his zaydeh (Yiddish for "grandfather") dies when he was two and a half.

411 #2 (NY : Marvel) July 2003, 32 pages
Cover price : $3.50
My price : $1.08
I didn't pick this up at the Festival, but at Jim Hanley's Universe, which was having a sale on back issues.
The second story, "Enlightenment" (written by Sean Phillips, illustrated by Jose Villarrubia) takes place in Haifa, Israel and involves 2 young kids - Nazir (a Palestinian) and Hassan (a Baha'i). At a crucial point in the story, Nazir mistakes Hassan for a Jew (and thus, I did as well, when I was skimming through the comic).

Omaha : The Cat Dancer vol. 2 #1 (Fantagraphics, July 1994), written by Kate Worley ; illustrated by Reed Waller, 22 pages
Cover price : $2.50
My price : $2.50 (plus tax)
I'd never bought a comic from the "erotica" section of a comic book shop before, not even an issue of Omaha. Omaha has a reputation of being different from most of the other comics found in the "restricted" area of comix shops, the others being primarily smut in comics format. Omaha by contrast is story-driven with great characterization and multiple plotlines. It contains depictions of sexuality, but these scenes do not make up the bulk of the pages in any individual issue. In the issue I bought, the only sex scene took place on pages 14 and 15. The scene at the top of the very next page showed a Jewish family celebrating Hanukkah, with a Chanukah menorah and a "Happy Hanukkah" banner in the background, the children playing dreidel with Uncle Mike.

*****

Swag (stuff I didn't pay for)

Jewish

The Big Khan by Neil Kleid and Nicolas Cinquegrani
32-page preview booklet
price : N/A (but the price of the finished graphic novel is expected to be $13.95 USD)
expected date of publication : Sept. 2009

Depictions of Israel & Israelis

Empire State of Mind #1 by Ethan Heitner - class assignments for classes at School of Visual Arts, Spring 2009, 24 pages
This copy was given to me by Seth Tobocman, after I'd told him about my Israel in Comics blog and my interest in representations of Israel & Israelis in comics. The contents include : "Against Israeli Apartheid" which uses the text of an article by Desmond Tutu and Ian Urbina ; "Self Defense", made in February 2009 after the invasion of Gaza had ended ; 2 fliers made for Adalah-NY promoting boycotting of, divestment from, and sanctions against Israel ; "Is Building Luxury Condos a War Crime?" and "Who is Lev Leviev?" (both of which talk about Leviev's work in the Middle East) ; and "Tristan Anderson" (about Americans shot by Israeli soldiers).

The Rest

A.D. : New Orleans After the Deluge (Pantheon) by Josh Neufeld
adaptation of the excellent webcomic which was hosted at the Smith Mag site
198-page sampler
The final version is expected to be 208 pages and cost $24.95. I wonder what's in the extra 10 pages.
expected date of publication : Aug. 18, 2009

Love and Rockets : New Stories Free Comic Book Day giveaway (2009) by Jaime Hernandez and Gilbert Hernandez, 32 pages

The Unwritten #1 (Vertigo, July 2009) by Mike Carey and Peter Gross, 30 pages
Cover price : $1.00

Smoke Signal #1 - a 28-page collection of short (1 page or less) comics by various cartoonists, printed on newsprint and folded like a newspaper. Although there's no Jewish stories in it, the back cover by Mike Freiheit and Alex Hemming - which is a page of fake ads - includes the mock ad "!!!Pocket Jew!!! Fits in your pocket & will do whatever you want! extra long fingers for 'special' commands!!"

Archie presents The Mighty Archie Art Players Free Comic Book Day giveaway(2009) by George Gladir and Stan Goldberg, 27 pages

Saga of the Swamp Thing - free special convention edition (reprint of Saga of the Swamp Thing #21, originally published in 1984) by Alan Moore, Stephen Bissette and John Totleben), 23 pages

Bang! Tango #1 (Vertigo, April 2009) by Joe Kelly, Adrian Sibar and Rodney Ramos, 22 pages
Cover price : $2.99

Madame Xanadu #1 (Vertigo, Sept. 2008) by Matt Wagner and Amy Reeder Hadley, 22 pages
Cover price : $2.99

Arena Comics #1 (featuring Advice Comics) by Zigory (c2004, 20 pages)

Joe and Azat by Jesse Lonergan
15-page preview booklet
expected date of publication : Sept. 2009

Nine Tenths by James Smith
12-page booklet

The Squirrel Machine preview edition (12 pages)
expected date of publication : Fall 2009

Crossover Comics - The 2008/2009 Samane Ad Campaign (11 pages of 1-page comics) by Robert Gavila
Most of the comics are about the tyranny of Diamond Distributors. Funny and sad at the same time.

Intro to Skullyflower (2009) by Dragon
7-page booklet

Sex, Drugs & June Cleaver (2008?)
6-page mini-book sampler

Pop Culture Shock Therapy
sampler of 8 single-panel comic gags (4 pages)

David Mazuchelli poster, promoting the MOCCA exhibition of his work titled "Sounds and Pauses". The outside of the poster contains a 3-page essay by Dan Nadel, while the inside unfolds into the poster.

Angstrom sneak preview (Oct. 2006, 2 pages) by Ken Applebaum
The back page of the preview is the one-page "True Story Swear to Zod"

double-sided sampler reprinting 2 pages from Bite Me! (a webcomic described as "an historico-vampire farce") by Dylan Meconis (the same cartoonist responsible for Family Man mentioned above)

one-page comic strip sample/promo for Das Bear

one-page comic strip sample/promo for Fork You

one-page, 4-comic strip sampler/promo for the webcomic IceCubes

After Watchmen ... What's Next (DC Comics)

Zuda Comics sampler (containing story pages from I Rule the Night, Imaginary Boys, Supertron, Night Owls and Black Cherry Bombshells

postcard for the A Distant Memory weekly webcomic by Sharon Furgason

postcard for the fisrt volume of Magical Tales of Enchanted Mysteriousness

postcard for The Hookah Girl and Other True Stories : Growing Up Christian Palestinian in America by Marguerite Dabaie

Wondermark postcard by David Malki!

Pope Hats (Ethan Rilly) bookmark

Adrenaline (Wave Blue World) bookmark

set of 5 bookmarks promoting the 4th book in the Diary of a Wimpy Kid series (no title yet) which will be published by Abrams

Bags Unlimited catalog

Papercutz Fall '09 catalog

Fantagraphics Winter 2009 catalog

NBM Spring 2009 catalog

First Second Fall 2009 catalog

MOCCA program booklet, cover by Molly Crabapple, 26 pages
Includes the 2-page essay "Academy embraces comics" by Kent Worcester

*****

I also picked up a flier for the 1st annual Asian American Comicon, which will be held in New York City on July 11th.

I wonder how long we'll need to wait before a Jewish American Comicon is organized.

Tuesday, June 02, 2009

Creators of Jewish Comix at MOCCA Fest - this weekend

On June 6th and 7th, the annual Museum of Comic & Cartoon Art Festival will be held at the Lexington Avenue Armory (Lexinton and 25th) in Manhttan (New York), between the hours of 11 AM and 6 PM.

Among the creators of Jewish comic stories / art who will be in attendance are :

* Daniel Bradford, illustrator of "David vs. Goliath" (in Mecha Manga Bible Heroes #1)

* Willow Dawson, a talented Canadian artist, who has illustrated the anthology No Girls Allowed : Tales of Daring Women Dressed as Men for Love, Freedom and Adventure, written by Susan Hughes & published by Kids Can Press. The anthology includes the story of Esther Brandeau, the first Jewish person to immigrate to Canada.

* Evan Dorkin, who has written or co-written the following : "The Gift of the Maccabees" (in The Simpsons Winter Wing Ding #1 ; "One-Punch Goldberg" (in Biff Bam Pow! #1 ; the one-page comic "How to Cook a Gentile" (Heeb #15) and "The Soda Thief" (in Streetwise : Autobiographical Stories by Comic Book Professionals)

* Sarah Dyer, who has co-written the following : "The Gift of the Maccabees" (in The Simpsons Winter Wing Ding #1 ; "One-Punch Goldberg" (in Biff Bam Pow! #1 ; the one-page comic "How to Cook a Gentile" (Heeb #15)

* Danny Fingeroth, author of Disguised as Clark Kent: Jews, Comics, and the Creation of the Superhero

* Sarah Glidden, author-illustrator of the autobiographical How to Understand Israel in 60 Days or Less!, which will be published by Vertigo

* Dan Goldman, author-illustrator of a short piece titled "Schmear" (in Smut Peddler #2), which he describes as "Jewish porn" (since it takes place in the backroom of a Brooklyn bagel shop), as well as a special 1-page illustration for The New York Post titled "Israel Turns 60".

* Ben Granoff, illustrator of "Yiddishkeit"

* Al Jaffee, cartoonist best known for his work in Mad magazine, who also contributed artwork to Moshiach Times

* Miss Lasko-Gross, author-illustrator of the graphic autobiography Escape from "Special" and A Mess of Everything

* Neil Kleid, Xeric award-winning author / illustrator of Stable Rods, "Shomer Negiah", Pilgrimage : Two Weeks in G-d's Country, the graphic novel Brownsville, as well as the forthcoming Migdal David and The Big Khan

* Peter Kuper, author-illustrator of the short biographical story "Promised Land" in Bleeding Heart #2, as well as the book-length autobiographical Stop Forgetting to Remember : The Autobiography of Walter Kurtz

* Miriam Libicki, author-illustrator of the jobnik! series, the first volume of which has been collected in trade paperback, the illustrated essays "Towards a Hot Jew: The Israeli Soldier as Fetish Object" and "Jewish Memoir Goes Pow! Zap! Oy!" & the illustrated mini-journals Ceasefire and Fierce Ease.

* Jerry Robinson, who wil be receiveing a Klein award for recognition of his elevating the cartoon arts (particularly for his contributions to the Batman comic books). Among Robinson's other stories are "In the Beginning...", "The Psalms of David" and "Cain and Abel" in the series Bible Tales for Young Folk.

* Jonathan Rosenberg, author-illustrator of the webcomic Goats, which includes the Jewish character "Jon", as seen in the strip from Nov. 24, 2005

* Seth Tobocman, illustrator of Portraits of Israelis and Palestinians : For My Parents and "The Serpent of State"

* Dov Torbin, illustrator of "Darkness on the Edge of Hymietown (A True Story)", "Eugene the Jew", and "Telling Tales Out of (Hebrew Day) School"

Thursday, May 07, 2009

courses on Jewish comic books, comic strips, comix, and graphic novels

Although I try to post time-sensitive information while it's still timely, I often find that my terrible tendency to procrastinate sometimes gets the better of me.

One example of such procrastination is with regards to infomation on courses about Jewish comix. Although most of these (perhaps all) seem to have concluded, I am posting about them for posterity and will try to publicize future ones before they start (assuming I learn about them early enough),




"Zap! Pow! Bam! Oy! Jews, Comic Books & Graphic Novels" was offered at the Anshe Chesed Fairmount Temple High School in Beachwood, Ohio and was taught by Wendy Wasman from Jan. 5th, 2009 to April 27, 2009.

*****

"Jews Superheroes & the World of Comics" was taught by Rabbi Elie Estrin and completed in December 2008. Rabbi Estrin was kind enough to provide the Jewish Comics Blog with his detailed syllabus, reproduced below.

Class One:

Capsule: Early years, Jewish firsts, inner city struggles, angst

Intro: “Everything a Jew sees or hears serves as a lesson to serve G-d.”

Editorial Cartoons to Cartoon Characters to Comic Books

First important Jewish cartoonist – Samuel Zagat, with his characters, most importantly, Gimpl Beinish the Matchmaker, in the paper the Daily Forward, 1910’s

The first comic book – Max Gaines (Ginsburg) “Famous Funnies” to be given away as promotions – 1934

Until that time, there was no protagonist – until Jerry Siegel (an artist) and Joe Shuster (a quiet bodybuilder), who created Superman by give and take (Gaines never did anything with it, but Sheldon Mayer from McClue Syndicate did, creating Action Comics.)

Will Eisner – creator of “The Spirit”, is considered to be the godfather of comics. The Eisner Award – the Oscar of comics. Eisner learned from being an advertising illustrator doing the graveyard shift – seeing shadows, lighting and strange characters.

Eisner and Iger hired former classmate Bob Kane, creator of Batman, as well as fellow Jew and creator of Spiderman and the Fantastic Four, Jack (Kurtzberg) Kirby. He also turned down Superman.

The first package Eisner and Iger's shop created for Fox had specific stipulations: The lead character had to possess super powers, wear a red costume, have a chest insignia, etc. It was obvious that Fox was requesting a knock-off of Superman, which had appeared in mid-1938 and was fueling the comic book boom. Eisner, who had little training in copyright law but plenty of common sense, balked at infringing so blatantly on National's property. Iger tried to assuage Eisner's misgivings by arguing that the two men had little desire to go hungry. Fox himself dubbed the character Wonder Man.

It took National's legal department no time at all to pull the plug on Wonder Man. One night, Fox called Eisner to his office and told him that when the time came for Eisner to take the witness stand in National's instant law suit, Eisner was to swear that there was no intent to copy Superman. Eisner replied that, indeed, he was not copying; rather, he was merely following Fox' s dictates. Less than pleased, Fox informed Eisner that if he told the court the truth, he would never see the $3,000 Fox then owed Eisner and Iger. Although $3,000 was more than Eisner had ever seen in his life, he told the truth on the stand, and Fox lost the suit. Wonder Man died, and Fox made good on his threat to stiff Eisner and Iger. The two thought their young company was doomed.

He split with Iger to create the Spirit. Later worked on the Spirit with Jules Feiffer.

Discussion:

- What is a superhero? Eizehu gibor hakovesh es yitzro
- What are the essential characters of a super hero?
- What plot runs fairly germane to super hero stories?
- What would you do in Eisner’s place?
- When are you allowed to lie? When are you allowed to tell lashon hara?

Stan (Lieber) Lee: Created Marvel Comics, out of earlier publications. Created Captain America,

DC Comics editor Julius Schwartz


Class 2: The Superheroes

Overview: The Golden Years, Superman, Spiderman, Batman, X-Men, Fantastic Four, Hulk, etc.

Discussion:
- Neshama
- Hidden identity – how is that relative to us nowadays?
- Specific strengths
- Heroic tasks

Class 3: Comic Strips

Overview: Li’l Abner, Terry and the Pirates, Archie, Peanuts and Twerski

Discussion:
- From everything one sees… Avoidas Hashem
- Specific strips

Lesson 4: Jewish Characters and Strips

Overview: Mendy and the Golem, Yaakov and Isaac, The Thing, Sabra, Kitty Pryde, Magneto

Discussion:

- What would you put in a Jewish comic character?

Lesson 5: Graphic Novels

Overview: The first graphic novel – Milt Gross’s “He Done Her Wrong” – 1930, Will Eisner’s “A Contract with God” – 1978, Maus

Discussion:
-How do pictures tell the story more than just words?


Lesson 5: Political Cartoons

Overview: Jewish political conscience

Discussion:

- What are “Jewish” views?
- Why do Jews vote the way they do?

Lesson 6: The Underground Commix

Discussion:

- What’s wrong with porn?
- What is art?
- Where does respect end within satire?

*****

The Center for the Study of Religion at Princeton University offered the Freshman course “People of the (Comic) Book: Jews and Their Images in American and French Popular Culture” taught by Andre Benhaim for 2008-2009. The description (from http://www.princeton.edu/~csrelig/courses/fresh.html) appears below.

“Thou shalt not make (engraved) images” says the Second Commandment. Yet, this injunction has always been challenged and redefined by Jews. Here, we explore the role and the representation of Jews and Jewishness in one of the most popular art forms of the 20th century: comic books. We do so by comparing two cultures, American and French, each seminal in the birth of the genre, but in very different ways, and in very contrasting historical contexts for Jews. In America, comics, with virtually all its iconic superheroes, was created by children of European Jewish immigrants fleeing persecutions, yet it is only recently that Jewishness, long effaced behind pseudonyms and apparently secular characters, has become more visible. And after the war, it was Jewish authors addressing Jewish issues who gave the genre its legitimacy with the modern “graphic novel,” epitomized by the Pulitzer Prize-winning testimony of the Holocaust, Maus. In Europe, on the other hand, where the Franco-Belgian bande dessinée matured much sooner, Jews had long been represented in comics, but mostly in depreciatory images: from the Wandering Jew to the caricatures of the Dreyfus Affair, to subtle clichés in the most popular works, including Tintin. Only recently have Jews begun to appear in a positive, assertive light, especially in the influential works of the Nouvelle Bande Dessinée, by authors like Joann Sfar, with The Rabbi’s Cat and Klezmer, who encompasses Sephardic and Ashkenazi cultures, and Christophe Blain, with |Isaac the Pirate, the epic story of a fictitious Jewish painter in pre-Revolution France. From superheroes to (invented) self-portraits, this course will thus examine how “Jewish” comic books offer a paradoxical and artistically stimulating response to the ambiguous interdiction of representation that lays at the heart of Judaism, and even a challenge to the domination of images in Western culture.

*****

Among the courses offered at Midrasha in Berkeley (East Bay Jewish Community High School) is "The Golem, American Jews and Comics", taught by Sacha J. Kopin. The description (from http://www.midrasha.org/firstsemesterclasses.html) is below.

What do the graphic novels Superman and Wolverine have in common? And what do they have to do with Judaism? Discover the answers to these questions and more! Together we'll explore why super heroes lend themselves to telling the Jewish experience and learn about the first Jewish superhero, the Golem.

*****

The Jacksonville Jewish Federation's Beit Midrash Class Offerings for 9th - 12th Grade includes the 2nd hour course (in the Spring Semester) "Superman Was a Jew", taught by Mrs. Karen Morse. Description from http://www.jewishjacksonville.org/page.aspx?id=103231 follows.

This class looks at how Jews transformed the comic book industry from 1938—present. The creators of some of our favorite comic book stars—Superman, the Fantastic Four, Spider-Man, Batman and the X-men - were Jewish. Students will learn about how these creators designed characters and personas to reflect Jewish values and ideals, and will have the opportunity to design their very own story board in this exciting class.

*****

At the end of last year (specifically from Nov. 17 — Dec. 15), Richard Kaplowitz taught his 5-session course Super-Mensch: The Story of Jews and Comic Books at the Jewish Study Center in Washington, D.C.

Wednesday, May 06, 2009

Reading: Miriam Libicki - Toronto, May 10th, 2009

Cover of jobnik! #7

FREE event!

Miriam Libicki brings her innovative comics reading/slideshow to the Toronto Comic Arts Festival! Join the acclaimed autobiographical cartoonist as she dramatically reads from her Israeli Army memoirs, as well as her provocative drawn essays "Towards a Hot Jew," Ceasefire," and "Jewish Memoir Goes Pow! Zap! Oy!" In between, Miriam will discuss her influences, what led her to choose comics as a format, why she started the jobnik! series, her self-publishing experience and how her work has been received thus far (in Israel and elsewhere).

May 10, 2009
Toronto Comic Arts Festival
Toronto Reference Library - Learning Centre 2
789 Yonge St.
Toronto, Ont., CANADA
4:30 - 5:00 PM

Miriam's illustrated essay "fierce ease" was nominated for a Stumptown Trophy Award in the category "Outstanding Art". Alas, it lost.

A podcast of Miriam's presentation at last year's Association of Jewish Libraries conference may be listened to by going to http://jewishlibraries.org/podcast/?p=245. However, it's more entertaining to be at the presentation in person, so that you can see her slides as well as hear what she has to say about them.

Here a selection of what bloggers have been writing about Miriam and her work .

Minds in the Gutters : Class blog for WMST 425B, a University of British Columbia student directed seminar about gender and women in comics.
"The drama of Miriam’s life is an interpersonal following of her relationships up and downs with a kind of brutal honesty one can only expect from the finest of auto-bio creators. Taking a cue from creators like Phoebe Gloeckner and Justin Green, Miriam is working with what she is comfortable with, in turn, that may make some readers uncomfortable. It would easy for Miriam to follow the lead of Joe Sacco and just focus on the political aspect of her time in the IDF, but that’s not the story she wants to tell."

4 Down, 48 To Go "Jobnik!" (52 Books, 52 Weeks)
"The autobiographical story of Miriam Libicki's enlistment in the Israeli Army builds interest, though, as she entwines her youthful passions (and often bad romantic decisions) with the political and armed conflicts in the area. By the end of the book, I found myself totally wrapped up in Libicki's world."

jobnik! Brings Sexy Back
" jobnik! is a tale of loneliness, sadness and humor. Even though it occasionally feels mundane, it’s always honest and very entertaining. She records the details of day-to-day life in the IDF in frank terms, which are often a mystery to Americans."

ComicsBulletin - Daily Reviews
"In its depiction of the banality and charm of everyday life in Isreael, Miriam Libicki's Jobnik presents a wonderfully unique world. I always find myself enjoying seeing life through her eyes."

Sunday, May 03, 2009

TCAF - Toronto Comic Arts Festival - May 9-10

This weekend, readers, writers, artists, publishers and fans of comix will converge at the Toronto Reference Library to take part in the the FREE Toronto Comic Arts Festival.

Among the talented people who will be at TCAF this year are a small number of comix professionals who have done work that has already been mentioned at the Jewish Comics Blog.

* Willow Dawson, a talented Canadian artist, who has illustrated the anthology No Girls Allowed : Tales of Daring Women Dressed as Men for Love, Freedom and Adventure, written by Susan Hughes & published by Kids Can Press. The anthology includes the story of Esther Brandeau, the first Jewish person to immigrate to Canada.

* Dan Goldman, author-illustrator of a short piece titled "Schmear" (in Smut Peddler #2), which he describes as "Jewish porn" (since it takes place in the backroom of a Brooklyn bagel shop), as well as a special 1-page illustration for The New York Post titled "Israel Turns 60".

* Miss Lasko-Gross, author-illustrator of the graphic autobiography Escape from "Special" and A Mess of Everything

* Miriam Libicki, author-illustrator of the jobnik! series, the first volume of which has been collected in trade paperback, the illustrated essays "Towards a Hot Jew: The Israeli Soldier as Fetish Object" and "Jewish Memoir Goes Pow! Zap! Oy!" & the illustrated mini-journals Ceasefire and Fierce Ease.

* Jim Ottaviani, author of Wire Mothers: Harry Harlow and the Science of Love and Fallout : J. Robert Oppenheimer, Leo Szilard, and the Political Science of the Atomic Bomb

Paul Pope, author-illustrator of the story "Berlin Batman" in The Batman Chronicles #11 (reprinted in Batman : Year 100, in which Batman is a Jewish painter named Baruch Wane.

Jonathan Rosenberg, author-illustrator of the webcomic Goats, which includes the Jewish character "Jon", as seen in the strip from Nov. 24, 2005

***

According to the Facebook guest list, both Alan Oirich (author of issues 1 & 2 of the comic book series Jewish Hero Corps and Gina Kamentsky (author-illustrator of the comic book series T-Gina) will be attending, although neither of them are official guests (i.e. they will be around, but will not have exhibitor tables).

Monday, April 27, 2009

Talmud Comics

Rachel Freedenberg has managed to get a gig filling in what I always felt was a gap in Jewish journalism. Freedenberg, who writes for jweekly.com (the online version of j : the Jewish news weekly of Northern California) will be covering the "Jewish comics" beat, contributing a new story every Friday (before shabbos). Although she has recently acknowledged me and this very blog for providing her with tips, I am nonetheless looking forward to reading what she has to say about comics, graphic novels, comic strips and webcomics that I have told her about, as well as learning about Jewish comix that I am unaware of.

As a Canadian Jew, I am thrilled that one of the webcomics which Freedenberg chose to highlight last week is none other than Talmud Comics, adapted from the Talmud and illustrated by the very talented
(yet relatively unknown) Yonah Lavery.

I say "unknown" only because news about her and her website hasn't appeared much in print yet. However, no less than 7 bloggers (in addition ro jweekly's) have noticed Yonah's work and reccommended it to their readers. I could add to the praise, but I don't feel qualified to do so. Besides, I would probably only end up trying to rephrase what others have been saying. Below are links to the 8 sites and quotes from them.

Talmud Comics? Yes - they exist!
it's a visual representation of a text that retains the beauty of the ancient wording, and doesn't try to make it overly hip or dumb it down for a modern audience. Very refreshing! The best part, though, is the illustrations, which are moody and haunting, and often just plain exquisite. Lavery is simply WONDERFUL at shading.


Comicly Styling the Talmud
This very well could be the most awesome idea ever: Talmud comics! The great thing is, they aren't cheesy or ridiculous, they're actually quite beautiful and thoughtfully drawn.


Talmud in Comics
If you enjoy either comics, the Talmud, or both, they’re worth a look


Wasting time
they [...] are interesting reads


Talmud Comix!!!
based on (and generally pretty faithful to) Tractate Brachot ... It’s pretty awesome.


The Talmud And Demons: A Comic By Yonah
This is really good!


The Talmud Comics and the Artist, Yonah (Medbh) Lavery
I am hoping that my readers will take a look at her work and the genius behind it and take a few moments to understand the amount of work and love of Torah this woman must have to make such a beautiful contribution to study for anyone who might be lucky enough to find her rather obscure website.


Blessing the Sun and Other Talmud Goodies
I am hoping like crazy that this is going to become a book.


*******

First, Aaron Freeman & Sharon Rosenzweig gave us The Comic Torah. Then, Yonah Lavery gave us Talmud Comics.

What's next? Mishna Manga?

Call for Papers - Shofar: An Interdisciplinary Journal of Jewish Studies

To view the Acrobat version of this CFP, please go to http://faculty.tamu-commerce.edu/droyal/CFP-jewishcomics.pdf
(includes a color graphic of Shaloman).

Jewish Comics: Special issue of the journal Shofar

The scholarship surrounding comics and “graphic novels” has proliferated over the past several years, as has studies focusing on particular comics themes or visual texts created by certain ethnic communities. Indeed, over the past three years alone there have been at least six critical studies investigating the links between comics and Jewishness. Given this emergent field of inquiry, Shofar: An Interdisciplinary Journal of Jewish Studies will devote a special issue to Jewish comics (slotted for Summer 2010). The scope of this volume will take in the theoretical, literary, and historical contexts of graphic narrative and its links to Jewish identity and discourse. Possible topics could include, but are certainly not limited to:

* The ways in which comics have articulated the American Jewish experience

* Comics and the Holocaust, as expressed in such narratives as Maus, Auschwitz, I Was a Child of Holocaust Survivors, We Are on Our Own, Mendel’s Daughter: A Memoir, and Yossel: April 19, 1943

* Images of Israel in the works of Joe Sacco, Rutu Modan, Ari Folman, Miriam Libicki, and the Dimona Comix Group

* Jewish identity through superheroes and villains, from Superman to The Spirit to Shaloman

* The form of the contemporary “graphic novel” by Jewish writers/artists such as Kim Deitch, Joann Sfar, Miss Lasko-Gross, Ben Katchor, and Aline Kominisky-Crumb

* Graphic adaptations of Jewish texts and legends

* Immigration and ethnic urban landscapes in the works of comics artists such as Will Eisner and Ben Katchor

* Comics, the Diaspora, and Jewish internationalism

* Jewish identity and world conflict, from the world wars to 9/11

* Jewish autobiographic comics (e.g., Harvey Pekar’s American Splendor and Will Eisner’s autobiographic fiction) as well as graphic biographies of such figures as Franz Kafka, Emma Goldman, Houdini, and Anne Frank

* Representations of the Jewish gangster in comics

* The uses of the golem and its relation to the superhero

All essay submissions should be between 5,000 and 8,000 words, including notes. Contributors should format submissions based on the Chicago Manual of Style, 15th edition, and use footnotes. Authors will be responsible for securing copyright permission for all images used. Address all inquiries, and submit all completed manuscripts, to the guest editor, Derek Parker Royal at Derek_Royal[at]tamu-commerce.edu. Please include the words “Jewish Comics” in the subject heading.

Deadline for final manuscript submission is October 2, 2009.

Shofar is published for the Midwest Jewish Studies Association, the Western Jewish Studies Association, and the Jewish Studies Program of Purdue University by the Purdue University Press. For more information on the journal, please visit http://www.cla.purdue.edu/jewish-studies/shofar/.

Monday, April 20, 2009

A look at Holocaust comics on Yom HaShoah

Today is Yom HaShoah (Holocaust Remembrance Day), a day to memorialize the victims of that horrible genocide and to remind ourselves that we must do everything possible to combat racism and injustice, no matter who is being victimized or where.

At such a time, it seems an appropriate time for the readers of this blog to take a look at websites which make reference to comic books & graphic novels which have represented the Holocaust, as well as to recognize an especially noteworthy miniseries about a Holocaust survivor published recently by Marvel Comics.




In Sept. 2008, Mike DeLisa wrote a post on his blog entitled "Comics Exploring the Holocaust". In it, he made reference to Judenhass, "The Liberators" from Fightin'Army #119, "Master Race" from Impact #1, and a 2-pager titled "Masterpiece" from Harvey Hits #6. He also reproduced 3 panels from the latter example.

Mike DeLisa notes that he could think of just a few 'pre-Maus' stories". However, I could list several of them, including :

* "The Butcher of Wulfhausen" Kent Blake of the Secret Service #14 (July 1953)

* "City of Slaves" Battlefield #9 (March 1953)

* "'Thou Shalt Not Kill'" Weird War Tales #8 (Nov. 1972)

* "Totentantz" Star Spangled War Stories #158 (Sept. 1971)
cover of Star Spangled Stories #158

cover of Blitzkrieg #2

* "Walls of Blood" Blitzkrieg #2 (March-Apr. 1976)




In a recent article in The Canadian Jewish News (Jan. 14, 2009, pop culture writer Shlomo Schwartzberg reviewed both Judenhass and Goodbye Marianne. The latter is a graphic novel adaptation of the award-winning young adult novel by Irene Watts.




The recently-published anthology The Jewish Graphic Novel : Critical Approaches includes the essay "Witness, Trauma, and Remembrance : Holocaust Representation and X-Men Comics" by Cheryl Alexander Malcolm, which discusses the ways Marvel has portrayed the character Magneto, both before and after Chris Claremont revamped him into a Holocaust survivor.

Alas, the essay was written before the launch of the miniseries X-Men : Magneto : Testament, which showed Magneto's childhood in Holocaust-era Europe.




The Testament miniseries has been mentioned or discussed at several websites and blogs. I'm listing them below, along with selected quotes.




Comic Book Resources. http://community.livejournal.com/magnetic_appeal/38795.html
Republication of the Comic Book Resources interview with miniseries illustrator Greg Pak.
"1) I read the letter you put in at the end of the story. So how much research did you put into studying this time period?

I have a six-foot stack of histories and memoirs from the time period that I've been going through for the past three years. I've watched every Holocaust-related feature film and documentary I could get my hands on, and, of course, read every Holocaust-related comic book I could find. It's the most harrowing and emotionally draining research I've ever done, but I've never felt so responsible for getting a project right.

Did you learn anything that truly surprised you?

I'd read about the Holocaust before, in middle school and college and beyond, so I was familiar with much of the history. But every day I'd read something that shocked me to the core all over again."

Impulse Creations. http://community.livejournal.com/magnetic_appeal/40341.html
Impulse Creations interview with miniseries writer Greg Pak, in between issue #1 and issue #2.
"Impulse: You handle the oppression and rise of the Nazis with such finesse in the comic. It's subtle at some points (even though the reader is certainly aware, from knowing about what Magneto went through growing up and also the historical context), and dramatically strong at others. Why did you feel this route would work, and how does it play into the overall story, especially regarding Max as a character? Was there anything that influenced you in the way you chose to tell it?

Greg: I wanted to begin the story relatively early so that we could get to know Max and his family as human beings before the full gravity of their situation sank in. And I knew we should see almost everything from Max's point of view. That would let us discover things bit by bit at the same time he does and help us understand how the Nazi rise and the Final Solution crept up around and then swept away their victims."

Karp, Lauren. Ich bin Magnus: (Re)writing Magneto’s Origins & Culture
"What I’ve seen of Magneto: Testament seems to warrant it a place both in comic history and in future Holocaust media and literature studies. Who knows if it will happen, given that this is a superhero comic—given that Magneto has the power of magnetism, one can expect to see metal bullets flying around wildly at the very least—but with a comic so rooted in history (comic history, cultural history, and ideological history) I believe it certainly deserves it."

Marvel Comics. WW Philly 2008: Magneto: Testament
Official PR announcement of the series at the Marvel website. Includes character sketch designs.
"Like so many classic Marvel characters, [Magneto] has to grapple with the typical problems of any scrawny outsider: family problems, schoolyard bullies, and first crushes," Pak explains. "But every little conflict takes on a terrifying, new dimension as the scope and inexorable advance of the Nazi menace becomes clearer."

Roth, Matthue. Magneto in the Holocaust
"All told, we’ll have to see how Testament fares before we officially accept Magneto’s Jewishness as X-Men canon. Pak is an able writer who’s been able to balance emotion and plot extremely effectively in 'Phoenix: Endsong' and less so in 'World War Hulk.' I don’t trust him absolutely, but I trust him."

Shinefeld, Mordechai."X-Men mutant survives the Holocaust in new Marvel Comics miniseries" Haaretz July 6, 2008
"Part of the goal of this story is to explore religious identity, and history, through fiction," said Warren Simmons, 'Testament' editor. "I'd say [Magneto] is one of the single richest and most intriguing characters in our medium. I think to Jewish kids, he's a very important, complex character. I know that he was to me."

The above article is reprinted as Comic Explores Shoah in The Forward, June 13, 2008.

http://pics.livejournal.com/kiplingkat7/pic/0005yywp
Image of the cover of issue #1.

http://comicartcommunity.com/gallery/data/media/437/mgntot002_cvr.jpg Image of the cover of issue #2

reviews of issue #1
Summary: Magneto Testament #1 opens in the city of Nuremberg, in the year 1935. The young Magneto's family is trying to live as normal a life as possible, in this Bavarian city that was so central to Nazi ideology and propaganda. The young hero is only nine years old, and still attending school, when we first meet him. We see a brief glimpse of what it's like to be the outsider, the alien, a physically average boy who is emotionally abused by his teachers as well as his fellow students. We also see a young girl, a Gypsy girl, named Magda, forced to clean the trash off the streets with her mother. Since the Gypsies of Germany were overwhelmingly Sinti, we now know that Magda was a Sinti. The young Magneto becomes smitten with this girl, and she with him. (from Rivka Jacobs' review)

Borzelli, Brandon.Brandon Borzelli's Geek Goggle Reviews
"The issue is very powerful. The whole story has such a serious and dark undertone that it has that sickening feeling to it. Personally, I felt Max’s story could have been any number of young Jewish kid’s stories during the mid to late 30s in Germany.
... 5 out of 5 geek goggles"

comicinsight. Comic Reviews
A review of issues #1 and #2
"We all knew that Magneto came from some terrible hardships in his life, but this story . . this story gives you a feeling of what he and his family and his people were forced to endure. [...] This is one of those stories that's really going to make you think . . think about history . . and think about how you feel about things."

Hayman, Mark J. X-Men: Magneto Testament #1
{rating : 2.5 bullets out of 5}
"One doesn't expect to be emotionally sideswiped by a book with "Magneto" stamped on the cover. I had no problem with the actual presentation, despite not being overly taken with the illustration, but the where and the what actually had me getting a little angry. When I reached the final page, there was an afterword by Greg Pak which helped to redeem the intent but only to the extent that I'm reasonably certain that he intends no offense and, given the credit to the Wiesenthal Center, has done the sort of homework one would expect from a Rhodes Scholar in history. Still, I'm not satisfied that this could well be the first exposure of a young mind to these horrors, despite the best of intentions."
Includes 6 page scans with the dialogue & captions.

Huqueriza, Chris. Le.Writers.Block
"Writer Greg Pak does extensive background and it shows ... I have high hopes to see what happens to Magneto. 5/5."

Jacobs, Rivka. X-Men: Magneto Testament #1 Review
Review by the author of the Magneto is Jewish FAQ
"X-Men: Magneto Testament, is not only the definitive account of Magneto's origins, but a sincere and careful attempt by the creative team to portray Magneto's Jewish youth and the Holocaust with accuracy and respect."

Jim & Rhonda.A Groundbreaking Series: X-Men: Magneto Testament #1
"Just because this is a super-hero comic, don't assume this terrible and tragic period of history will be treated lightly. The creators have clearly tried to portray this era in a realistic, truthful, way. Readers will almost certainly find themselves emotionally involved and angry as they read this tale."

Rapin, Mike. Weekend Whiz: Reviews so fast you’ll pee your pants
"It was all very well done [a]nd I’m very much excited for this true origin of Magneto."

SuperSearnold. Magneto - Testament #1/
"I absolutely recommend this issue. To EVERYONE. Magneto - Testament #1 does such a good job of examining the character of this Jewish boy growing up in Nazi Germany that you’ll still enjoy this issue even if you aren’t an X-Men fan or have absolutely no idea who Magneto is. The content is dark (the only way to deal honestly with Nazis’ persecution of Jews) - so the book isn’t for children."

Tung, Chris. Magneto's Testament #1 - A Review
"It was good. Maybe not great. But a good way to start a new series. ... The art was definitely lack luster for me. I was immediately drawn to the cover of the series because Djurdjevic did a fantastic job at introducing an adolescent Eric as well as displaying the inevitable end for the young boy's character, but the interior art could definitely be better. I wish they had chosen a grittier direction. "

reviews of issue #2
Summary : This issue takes us from 1936 through September 1, 1939, the Nazi invasion of Poland that started WWII, stopping briefly on November 9-10, 1938 for Kristallnacht, the infamous Night of Broken Glass when Germans rioted against the Jews, destroying homes and property, looting what they could and savagely destroying the lives of their neighbors. As this issue closes Max and bears witness to the German tanks rolling into Poland we can’t help but understand, through all Max’s troubled life, how Magneto’s character was formed and the rage and pain that drives his actions. (from Sam Wilson's review)

Borzelli, Brandon. Brandon Borzelli's Geek Goggle Weekly Rankings
"it takes the every day lives of one family, Magneto’s, and illustrates point by point how their livelihood, home and country (and presumably their lives) where taken from them. The story uses real timelines and actual events to show the chaos around the family. This issue focuses on the events of Kristallnacht and the immediate aftermath. With three issues to go you know this is only going to get worse and worse. This is a fantastic, but horrific and emotional story."

Rosenblatt, Rob. Cream of the Crop
"Max and his family’s flight from Germany as the Nazis raid homes and businesses was heart-wrenching. I don’t know if this story will make Magneto any more sympathetic, but it’s very interesting to see what this mutant figurehead witnessed and lived through as a boy, and we see why he is so militant about not being persecuted again."

Wilson, Sam. Sam Wilson’s Reviews
"Greg Pak, one of comics’ top writers and a man who needs no introduction at this point, has worked painstakingly with the Simon Wiesenthal Center to insure he’s accurately retelling the Germans’ rise to power and the steps they took in their private little war against the Jews. The beauty of this story is that we get to see world history unfold through the frightened eyes of a young boy, knowing the fictional villain this boy will become but seeing his origin unfold against the back drop of some of the most horrendous evil in human history. Beautifully rendered by Carmine Di Giandomenico, the same artist who drew the Marvel Knights’ Daredevil: Battlin’ Jack Murdock series, Magneto Testament is powerful and engrossing. A must read even if you’re not an X-Man fan."

reviews of issue #3
Summary : Magneto and his family barely survive the Polish countryside by seeking refuge in Warsaw, where they end up as prisoners of the city’s infamous ghetto. The Germans escalate their violence against the Jews and their true intentions become increasingly more transparent. Faced with little options, Magneto and his family sneak out of the Warsaw Ghetto, hoping for safety and shelter. Unfortunately, they find neither. Magneto’s mutant power remains untapped and his unrealized potential to “save the day” is a continuous haunting frustration that is effective in capturing the pity, anger, desperation, and sadness that pervades this book. (from Rob Galinsky's reviw)

Borzelli, Brandon. Brandon Borzelli's Geek Goggle Weekly Rankings
"This historical account could be more gruesome but it restrains (for now) from being too vulgar. Still, I find myself bracing for the worst page after page. It’s an excellent story."

Galinsky, Rob.X-Men: Magneto Testament #3 (of 5) - Review
"What’s Good: Pak lets historical events tell this story, which allows Magneto to be a passive but effective character. Pak shows a few key details about Magneto’s personality, such as his selflessness, his ability to lead, and his courageousness– characteristics that fit in with the Magneto that Marvel readers have gotten to know over the past few decades. The art is solid and has an indie feel to it. The coloring revolves between pale and hopeless to dark and terrorizing.

What’s-Not-So-Good: I understand that this book has a pedagogical aspect to it, but it goes a little overboard when text boxes full of facts, numbers, and dates appear. I think the encyclopedic side of the Holocaust would be better served if it were reserved for a page at the end of the story. Besides, the story is so powerful, educational, and realistic even without the cold, dry facts.
Grade : A"

Rules, Samuel. Where My Money Went - Nov. 12th
"A Magneto origin story cleverly masks this powerful Holocaust historical narrative. Trying to protect his family, young Magneto becomes a smuggler and attempts to save his family but pushes them closer and closer to the camps. I have a hard time reading this comic because as much as I want his powers to manifest in that issue, once I start reading I only worry about his well being."

Wilson, Sam. Wktf’s Reviews
"This comic series is absolutely frightening. I’m not sure what fictional story could be more harrowing and horrific than the actual events of The Holocaust. We all know Magneto is a child of The Holocaust; however, placing young Max, the boy who grows to become Magneto, in this setting amidst the horrible slaughter of this shameful moment in human history, and tracing his life as he experiences the actual events leading to the death camps creates a story of fear, pain, anger and hatred such as probably could not be communicated as well any other way."

reviews of issue #4
Summary : We get to see the atrocities Magneto experienced in Auschwitz, and "atrocity" cannot summarize the things that happened there. Sadly, they are all too realistic. Just when you think there's a glimmer of hope for Max, writer Greg Pak snatches it all away. Even the ending to this issue is a sign of hope, until you realize the rest of Magneto's origins. (from the review by fatherjeff)

Chapman, Adam. X-MEN: MAGNETO TESTAMENT #4 REVIEW
"An excellent read, yet again. Pick up this entire series, and you won't be disappointed. An amazing read, from the moment you open the cover. HIGHLY RECOMMENDED, YOU MUST READ THIS BOOK!"

Duin, Steven. Comic Review: Magneto: Testament
Review by a writer for The Orgonian
"Greg Pak has done a commendable job on the back story of the young Magneto, struggling against the passivity of his elders as the Nazi's noose slowly tightens around the Jewish community. Understanding that the Holocaust is little more than a barbaric number -- six million -- to many in this generation of comics' readers, Pak has provided a valuable and restrained history lesson."

{However}

"Yet when I open the fourth issue, pictured above, to witness Max Eisenhardt's arrival at the camp, the initial shot from the train platform -- "Men to the right! Women and children to the left!" -- is set next to an ad for "Prince of Persia." When the Jews are ordered to strip, I turn the page to hear Honda screaming that I should "Avoid Gas Hogs!" And the scene in which Max, now working as a Sonderkommando at the camp, shoves the body of his mentor into the oven is placed, gruesomely, beside an in-house promo for "The Dark Avengers."

I know Marvel has comic books and video games to sell, but I find it absolutely appalling that the company doesn't recognize the indecency of interrupting a tale of the Holocaust with ads about "gas hogs." At a crucial point in this story, Pak simply turns the lights out and lets the panels go black, knowing there is no way to illustrate the horrors that a survivor of the camps describes. I only wish Marvel understood that some stories are too dark, and too important, to serve as just another pack mule for the company's ad sales."

fatherjeff. X-Men: Magneto Testament #4
"This is one of the best series Marvel has put out in...ever. Carmine Di Giandomenico's art is just wonderful, especially that double-page spread of the glasses that is just haunting. You can tell the detail these creators are putting in which shows their hard work. My only hope is that this series will lead to a Magneto ongoing with the same creative team."

George, Richard. Magneto: Testament #4 Review
"Sometimes a series is so good that you effectively run out of things to say about it. That's pretty much the case with Magneto: Testament, a product which not only once again affirms the value of the Marvel Knights line but is easily one of the best products Marvel has put out this decade. Just as it has the past three months, this series defies conventional origin story trappings, delivering a tale that isn't just moving and mesmerizing but historically accurate as well."

Huqueriza, Chris.le.writers.block
In the penultimate issue, there's more shocks and atrocities as Max witnesses them in Auschwitz. Max['s] hope fades as he commits a sin. Max doesn't look like Magneto, but a great tale about the Holocaust with the last issue tying up everything. 5/5"

*** note : There is a 7-page preview of the comic online at http://heavyink.com/comic/7065-X-Men-Magneto-Testament-4

reviews of issue #5
Summary : Max Eisenhardt has reached the lowest point in his young life. Separated from his family, Max is eking out a living in Auschwitz. Even as he helps the Nazis dispose of their thousands of dead bodies, Max is busy bribing guards and helping plan an uprising against his oppressors. And through it all, Magda provides a lone ray of light in an otherwise dark existence. (from Jesse Schedeen's review)

Borzelli, Brandon Brandon Borzelli's Geek Goggle Reviews
"The finale of this story caps off what has been a tremendous account of the holocaust from a single character’s point of view. Max proves to be both lucky and crafty. It seems his ability to find gold was his biggest contributor to staying alive. However, the realism used in this story almost makes the character involved here kind of irrelevant. I think this story would have been just as good without the X-Men tag or Magneto as the central character. The issue discusses what kind of extras will be included in the collected edition and it makes this story worth picking up in trade if you missed the mini series. This was a terrific mini series."

C, Matt. Cover To Cover: X-MEN: MAGNETO TESTAMENT
"So, I came into this series expecting not much of anything; I came away feeling overwhelmed and moved by the emotional clarity and intelligence conjured up by something so simple as a mixture of words and pictures. Yes, there were only a couple of fleeting indications that this was the tale of the boy who would one day become the X-Men’s greatest nemesis, but that didn’t matter. The seeds are sown here. What does matter is that the creators didn’t dumb down their work to make it more palatable, rather they acknowledged the intellect of their audience and understood that a single image or a single sentence are sometimes all that’s needed to convey a multitude of thoughts and feelings.

It’s not an easy read, it’s not a fun read, but it’s probably the bravest thing Marvel have published over the last few years, and it’s powerful enough in both the subject matter and the telling that, although the sales figures may not have been stellar, it’s going to have a shelf life that will far exceed many of its contemporaries. 10/10"

Schedeen, Jesse. X-Men: Magneto Testament #5 Review
"I've been feeling more and more like this book was conceived as a Holocaust story first and foremost and the Magneto elements were thrown in to make it more commercially viable. Granted, it's not an ignoble pursuit to use comic characters as a vector to historical education. I just feel that, if Greg Pak went through the trouble to write a story about Magneto, he should have offered him a more complete character arc. With a few switched names, this series could just as easily dropped the "Magneto" moniker."

Wednesday, March 18, 2009

Unmasked : The Ariella Dadon Story

This past June, following a struggle spanning several years, 28 year old Ariella Dadon managed to receive a get (a Jewish divorce) from her violent, abusive husband.

“Unmasked: The Ariella Dadon Story” is her poignant story.

Illustrated by rising cartooning star (of David) Chari Pere, the 3-page online comic (which may be read in Hebrew or English) has attracted quite a bit of attention in cyberspace.

Shemspeed calls it "poignant".

Jewlicious calls Chari a "cartoonist extraordinaire".

Occasional Superheroine notes that "Pere draws Ariella with a cracked 'happy face' mask during her unhappy marriage and unsuccessful attempts to get away from her husband, and it is a haunting and devastating motif."

Mike Lynch calls it "a cautionary tale".

My Machberet writes that it is "utterly absorbing".

e Jewish Philanthropy considers it to be an "empowering tale".

At the "Jews and Comics" panel of the Facebook Comic Con, Chari talked about working on the comic. I've pasted her comments below for those who don't have Facebook access.


I met Inbal Freund-Novick last summer, when I attended the 2008 PresenTense Institute Fellowship in Jerusalem. It was a 6-week fellowship program for young social entrepreneurs who have ideas on how to positively impact the Jewish community, and ultimately the world as a whole. I had been accepted into the fellowship to work on my company, Hey Yiddle Diddle Productions (http://www.heyyiddlediddle.com), which bridges the gap between generations and denominations by revitalizing old Jewish humor through fresh, fun cartoons, products, and modern media. Inbal was a 2007 PresenTense Institute Steering Committee member who had previously received grant money from another organization for a comic to raise awareness about Agunot (women who cannot receive a Jewish divorce from their husbands).

As a personal mission, I try to use my cartooning “powers” for good and meaningful projects. I’ve completed coloring books for children with diabetes, and am working on such projects as a comic book for elementary school kids on how to defend themselves against bullies. When Inbal pitched the Ariella Dadon comic idea to me, I absolutely loved it. Although my first passion is making people laugh (be it with me or AT me), I also use the negative experiences in my life and in the world to create inspirational works that can help people see the light out of darkness. “Unmasked: The Ariella Dadon Story" is truly the embodiment of those same ideals.

Ariella doesn’t have a computer in her house in Southern Israel, so Inbal brought a laptop with a wireless connection, so that the three of us were able to spend 2 1/2 hours talking through Skype. I understand Hebrew pretty well – I do have 12 years of excellent Jewish education from Brooklyn’s Yeshivah of Flatbush under my belt– but if you don’t use the language you lose it. And I am certainly unfamiliar with the contemporary Israeli vernacular. So Ariella told her story to us in Hebrew, and Inbal translated everything she said into English so that I didn’t miss a detail. After Inbal and I completed the script, Inbal translated the comic back into Hebrew. I did the layout and illustration, and chose the color scheme – which was based on the Mavoi Satum’s logo (Mavoi Satum is the organization that helped Ariella get her ‘Get’, or Jewish divorce papers). And voilà, the comic was born!

The response has been overwhelmingly positive from everyone of all backgrounds, faiths, and denominations. I’m really, really proud of “Unmasked”, and hope that it sparks even greater causes and projects.

illustrated presentation - The Spirit of Comics : The Life & Art of Will Eisner

Only one name stretches from the beginning of the history of the comic book through the modern era of the literary graphic novel: Will Eisner.

On Monday, March 23rd, comics writer and critic Danny Fingeroth (author of Disguised as Clark Kent: Jews Comics, and the Creation of the Superhero) will give an illustrated presentation about the life, work, and influence of the great writer and artist.

Taking a tour through Eisner's life - in effect, a journey through comics history - the presentation will serve as an introduction to those who'd like to know more about how the graphic novel phenomenon (which has spawned hit comics-based movies like The Dark Knight and Watchmen), and will offer new insights for those who may already know the work of Eisner and his creative descendants.

Monday, March 23, 8:00 pm
Columbia University
Broadway and 116th Street
New York City
Schermerhorn Hall
Room 501
FREE ADMISSION

FOR MORE INFORMATION:
212-854-2581
mg27@columbia.edu

Watchmensch to tweak the blue man's bits

Shipping on Wednesday 18th March in the USA and Thursday 19th March in the UK, Watchmensch is a parody of a certain legendary graphic novel and recent blockbuster movie, as well as a trip through time to the beginnings of superhero comics.

Written by London-based comics gossip industry columnist Rich Johnston, drawn by newcomer Swedish artist Simon Rohrmuller and published by American publisher Brain Scan Comics, Watchmensch seeks to compare and contrast the legal wranglings over the recent movie, with the comics industry as a whole, from the creation of Superman in the nineteen thirties to the present day.

Featuring a large half-naked blue man (modestly covered) as the omnipotent voice of business, 1700 Broadway Manhattan, a vengeful and Hassidic-attired Spottyman, the rockstar billionaire Ozyosbourne, the legal eagle Silk Taker and the cross-dressing Nite Nurse, the Watchmensch have to fight against a global conspiracy that threatens the destruction of comic creators' rights.

Watchmen co-creator and artist Dave Gibbons described the book saying "I laughed out loud at Watchmensch. Several times, in fact" and in reference to the amended end of the Watchmen movie, stated "[Watchmensch's] climactic scene is more awesome than any squid!"

Shops stocking the comic can be found at www.watchmensch.com as well as artwork from the comic, reviews and interviews with the creative team.

"Johnston's book shows a greater appreciation of Moore and Gibbons's original work" - Comics Bulletin

"heartfelt, interesting and a little bit angry" - Slashfilm

"The comic is totally worth it, and far more than just a parody" - Occasional Superheroine

"the revealing spreads on pages 18 to 20 are some of the best- drawn panels I've seen in years" - Bleeding Neon

"Watchmensch offers a savage take on US comics, laced with a decent amount slice of humour and visual gags" - Down The Tubes

Growing Up Comix - exhibition launch

The Open Tent is proud to present Growing Up Comix - the works of graphic novelist JT Waldman - at ArtCenter/South Florida, which brings together both non-profit organizations’ commitment to producing cutting-edge, inclusive arts events that are contemporary and accessible to the public. Retracing Waldman’s defining years, Growing Up Comix is divided into five major periods including The Wonder Years, College Years, In-Between Years, Persian Years and Days of Recent Past. Through comics, cartoons and graphic representations, the artist explores the epiphany that ignited his passion for drawing in the mid-80s; the inception of signature character “Starman” in the late-90’s, and the technical and creative changes that followed his enrollment at Vancouver Film School in 2006.

Best known for transplanting biblical and Jewish content from its conventional format to the comics,Growing up Comix further explores Waldman’s interpretations of oral and written traditions of Judaism. The writer and illustrator for the Jewish Publication Society's (JPS) graphic novel “Megillat Esther,” and featuring pages from “Story of Esther” and “The Four Children” commissioned by Nextbook, Waldman’s Growing Up Comix shows how cartoons and modern-day representations of socio-religious topics can be visualized and interpreted from diverse points of view. Giving the Jewish and graphic novelist community a firm identity in the comic book world, Waldman combines three decades of illustrations and experiences that have shaped his career.

Reception will take place on Saturday, March 21, 2009 at 7:00 p.m.
Exhibition runs March 20 to April 12, 2009
Event is free and open to the public

For more info:
ArtCenter/South Florida
800 Lincoln Road at Meridian Avenue
Miami Beach, FL 33139
Phone: 305.674.8278
Web: www.artcentersf.org

Saturday, February 21, 2009

Book of Esther comic art exhibit & Waldman appearance at Limmud Philadelphia

According to the ComicsDC blog, the Jewish Museum of Maryland (Herbert Bearman Campus, 15 Lloyd St., Baltimore) will be hosting an exhibition of pages from JT Waldman's graphic novel adaptation Megillat Esther. There will be a preview on March 5th, from 8-11 PM and the exhibition will run from March 8th to July 26th.

This Sunday, JT will be one of the guest speakers at LimmudPhilly, taking place in Classroom 404 at the Gershman Y in Philadelphia, PA, 4:30 PM - 5:45 PM. His session, entitled "Make Your Own Comix Midrash" is described below.


Explore the topic of Midrash. How does this ancient process and body of work relate to us today? How does the show and tell quality of comics make it an ideal medium to discover personal connections to Jewish text, folklore and holidays? Following a lively presentation of the topic of Midrash and the Jewish connections within the comic book industry, participants will create their own mini-Midrash comics about familiar biblical or historical characters. No artistic experience required. All levels welcome!

Friday, February 06, 2009

Neil Kleid at NYCC

Here's one more "Jewish" reason to attend this year's New York Comic Con - Neil Kleid (Xeric award-winning author / illustrator of Stable Rods, "Shomer Negiah", Pilgrimage : Two Weeks in G-d's Country, the graphic novel Brownsville, as well as the forthcoming Migdal David and The Big Khan) will be in attendance. Details below.

He's written that he has one or two things to announce. If you have a chance during the convention, please swing by to say hello.

Here’s where you’ll find him:

FRIDAY, FEBRUARY 6TH:

11AM-1PM: NBM Publishing (Booth 1713)
2-3PM: Image Comics (Booth 1403)
3-5PM: NBM Publishing (Booth 1713)

SATURDAY, FEBRUARY 7TH:

Meetings and general walking around, saying hello to pals.

SUNDAY:

10-11AM: NBM Publishing (Booth 1713)
11AM-12PM: Image Comics (Booth 1403)
3-5PM: NBM Publishing (Booth 1713)

Sunday, February 01, 2009

42 Jewish Reasons to Attend NYCC 2009

Next weekend, the New York Comic Con will take place in Manhattan. You may go to the official website using the link in the last sentence to get all the details about guests and programming.

Below, I am highlighting "Jewish" sessions and guests who are Jewish &/or who have helped create "Jewish" comics.

(1) Sunday 12:15 PM - 1:15 PM, Rm. 1A18
Jews and Comics: A Cottage Industry
In the past few years, there have been multiple books dealing with Jews and their role in the creation of the comics industry. Could this be because, as we lose more and more of the Greatest (Comics) Generation, there is a collective need to understand the roots, ethnic and otherwise, of the medium? Authors

(2) Arie Kaplan (From Krakow to Krypton: Jews and Comics),

(3) Danny Fingeroth (Disguised as Clark Kent: Jews, Comics, and the Creation of the Superhero), and

(4) Simcha Weinstein (Up, Up, and Oy Vey!: How Jewish History, Culture, and Values Shaped The Comicbook Superhero) and comics creators

(5) Al Jaffee (Mad magazine) and

(6) Jerry Robinson (Batman) discuss the rise of interest in the Jewish side of comics. Moderated by David Hajdu (The Ten-Cent Plague: The Great Comic-Book Scare and How it Changed America).

(7) Saturday 2:45 PM - 3:45 PM Rm. 1A23
Jerry Robinson Spotlight
Jerry Robinson created the infamous Joker and played a vital role in the development of legendary Batman characters Robin, Alfred, and Penguin. His vast body of work spans 30 years as an internationally-syndicated political cartoonist, 30 books, and numerous exhibitions (including The Superhero, now on world tour, and Human Rights for the United Nations). Robinson’s honors include the Milton Caniff Lifetime Achievement and the Eisner Hall of Fame.

(8) Saturday 4:00 PM - 5:00 PM Rm. 1A14
Joe Simon Spotlight: The Secret Origins of the Comic Book World
Joe Simon worked alongside the titans — Jack Kirby, Will Eisner, C.C. Beck, Jack Schiff, and Martin Goodman to name but a few. He was Marvel’s very first editor and hired youngsters like Stan Lee and Steve Ditko. His credits include million-sellers such as Captain America, Boy Commandos, Sandman, Young Romance, Black Magic, Police Trap, Fighting American, Boy’s Ranch, and SICK! Joe produced comics for the US military, was singled out for investigation by the Kefauver Committee, and was picketed by the Nazis. Stan Lee said, “Lucky for me, when I entered comics, Joe Simon was my mentor. In script, art, and editing, he was the master.” Come learn the details of the exciting new Simon and Kirby Library, coming from Titan Books later this year, and ask Joe yourself what it was like being there at the origin of the comic book world.

(9) Saturday 5:30 PM - 6:30 PM Rm. 1A17
Twisted Toyfare Theatre: Behind the Stupidity
Join the writers of ToyFare Magazine’s satirical comic strip Twisted ToyFare Theatre for an inside look at how they get toys into all those compromising positions. Ask questions, watch TTT animations, and answer TTT trivia for a chance to win prizes! Brought to you by the editorial staff at ToyFare Magazine and Wizard Entertainment!
[Blogmaster's note : Among the TTT stories is "Seder-Masochism" showing a Passover seder attended by superheroes and other action figures.]

(10) Sunday 11:00 AM - 12:00 PM Rm. 1A21
Who Owns Comics? Superman on Trial
A judge has awarded the family of Superman's co-creator Jerry Siegel co-ownership of Action #1. This panel will examine the behind-the-scenes history of this landmark case and discuss means for the future of Superman, comics and creators' rights and discuss its relation to other comics-related intellectual property issues, such as the creators' rights movement, the Watchmen case and the Holocaust art of Dina Babbitt.

(11) Sunday 1:45 PM - 2:45 PM Rm. 1A17
Lilly Renee Phillips Spotlight
Lily Renee Phillips was one of the pioneer women cartoonists in the Golden Age of Comics, working primarily for Fiction House publishers. Fleeing Nazi Germany to America as a child, she went on to draw covers and such features as The Lost World, Senorita Rio, and Werewolf Hunters for Planet Comics, Rangers Comics, and Fight Comics. With her then-husband Eric Peters, she also drew covers and interior stories for a number of Abbott & Costello Comics. Phillips talks about her amazing life and career with Heidi MacDonald (The Beat).

(12) Neal Adams (illustrator of "The Ventures of Zimmerman" [parody of Bob Dylan] and "Son O' God", which both appeared in the pages of National Lampoon)

(13) Dick Ayers (illustrator of "Lonely Are the Brave" in Combat Kelly and the Deadly Dozen #2, in which the titular heroes liberate a concentration camp)

(14) Kyle Baker (author-illustrator of the King David graphic novel from Vertigo, as well as a funny 1-page cartoon in his Kyle Baker : Cartoonist TPB in which a Jewish Cinderella has a mishap under the chuppah)

(15) Chris Claremont (who introduced the Jewish character Kitty Pryde [aka Shadowcat]& who wrote stories which implied that Magneto was Jewish, both in the pages of The Uncanny X-Men)

(16) Peter David (who infamously used the names of seder plate items for aliens in a Star Trek novel and who wrote the stories for The Incredible Hulk #386-387 ; see
http://www.leaderslair.com/noexcuses/hulk2-386.html and http://www.leaderslair.com/noexcuses/hulk2-387.html)

(17) J.M. DeMatteis (author of The Compleat Moonshadow, the "Greenberg the Vampire" story in Bizarre Adventures #29 and the Greenberg the Vampire graphic novel, as well as a bunch of other Jewish-content stories, e.g. "Bernie America, Sentinel of Liberty", "Death Camp", and "Yesterday's Shadows")

(18) Colleen Doran (illustrator of a one-page illustration in The Death Gallery, in which Death is at a concentration camp)

(19) Keith Giffen (author of the Ragman miniseries that reintroduced the title character as a Jewish superhero and also creator of the characters Dreidel and Rabbi Zone, who both appeared in the pages of the last issue of the series The Heckler)

(20) Dan Goldman (author-illustrator of a short piece titled "Schmear", which he describes as "Jewish porn", since it takes place in the backroom of a Brooklyn bagel shop. The story appeared in Smut Peddler #2). In all fairness, Dan's done other - & better-known - stories (e.g. Shooting War) but "Schmear" is the only "Jewish" work of his that I've seen.

(21) Peter Gross (arist for issues of the series Hellstorm: Prince of Lies which had the character Rabbi Avram Siegel)

(22) Dean Haspiel (illustrator of the Harvey Pekar graphic autobiography The Quitter, as well as several shorter Pekar stories)

(23) Phil Jimenez (illustrator of a Heroes online comic featuring an Israeli Mossad agent named Hana Gitelman)

(24) Joe Kubert (author-illustrator of the graphic novels Jew Gangster and Yossel : April 19, 1943, as well as the Sgt. Rock : The Prophecy miniseries)

(25) Peter Kuper (author-illustrator of the short biographical story "Promised Land" in Bleeding Heart #2, as well as the book-length autobiographical Stop Forgetting to Remember : The Autobiography of Walter Kurtz)

(26) Scott Kurtz (author-illustrator of PVP, the Eisner-award-winning online comic strip which in 2006 made a joke about the Superman Returns movie being "a Jewish conspiracy to convince Christians that Jesus was gay")

(27) Ted McKeever (illustrator of the 4-issue Doom Patrol story "Imagine Ari's Friend", which featured the characters Reb Chaim, Joseph Della Reina and Isaac Luria)

(28) Peter Milligan (author of the Vertigo series The Minx which featured Jewish youth Anna Schwarz)

(29) Steve Murphy (author of the story "Kaddish" in Tales of the TMNT #10)

(30) Josh Neufeld (author of the graphic memoir A Few Perfect Hours, in which he compares a Balinese cremation ceremony with his [Jewish] grandmother's funeral)

(31) Steve Niles (author of Criminal Macabre: Feat of Clay)

(32) Jerry Ordway (illustrator of an issue of Superman in which he went to the Warsaw Ghetto, as well as an All-Star Squadron story in which Steel ended up in a Nazi death camp)

(33) Greg Pak (illustrator of the X-Men : Magneto : Testament miniseries)

(34) Jimmy Palmiotti (co-creator of the short-lived golem series The Monolith from DC Comics)

(35) George Perez (illustrator of Wonder Woman #37 and #38 which had the character Rabbi Benjamin Hecht.

(36) Josef Rubinstein (an illustrator of the 2nd Mendy & the Golem series and contributor to both Journeys : The Collected Edition and Balm in Gilead)

(37) Louise Simonson (co-author of issues of a Superman storyline in which Superman went to the Warsaw Ghetto)

(38) Art Spiegelman (author of the Pulitzer Prize-winning memoir Maus and one of the main characters in the online story "The Night I Met Art Spiegelman")

(39) J. Michael Straczynski (author of the Amazing Spider-Man story "You Want Pants with That?" and the Rising Stars story "Selah")

(40) Len Wein (writer of the golem story in Strange
Tales #174 - see http://www.marvunapp.com/Appendix/golem1.htm)

(41) G. Willow Wilson (author of the graphic novel Cairo)

(42) Marv Wolfman (author of the stories in The Tomb of Dracula #27, The New Teen Titans #24 and the graphic history Homeland : The Illustrated History of the State of Israel)

Thursday, January 22, 2009

new title which may not have anything to do with Jews or comics or Jewish comics

Long-time readers of this blog know that one of the rules of my blog is that posts must be relevant to the subject of the blog which is basically "comic books, comic strips, and graphic novels which have at least one identifiably Jewish character in them".

It is rare that I will allow a post which is off-topic.

However, since I'm the moderator of said blog ... I can actually do whatever the heck I want with it (subject to Blogger's rules of conduct, of course).

And, hey, there's the possibility of a free book if I do this properly & quickly. And - as my friends well know - it's hard for me to pass up a free book. That's partly why I joined Bookcrossing.

For the sake of this post, I will stretch the rule a bit and include posts that manage to contain both a "Jewish" term and a comic reference. I'm excluding this introductory section you've just read (that would be too easy, wouldn't it?).

****

A few minutes ago, I was scanning the status area of Facebook to see what my Facebook friends are up to. Lo, and behold, I notice a cool "status" for my friend Saul Colt. For those who don't know him, Mr. Colt is a highly-connected guy (just look at all the Facebook and LinkedIn connections the guy has (500+? I don't think I even know 500 people!).

Long-time readers with good memories may remember that Saul is also the author & illustrator of an upcoming graphic novel simply titled Rope, which has the character Robin Goldman, described as "a young very pretty Jewish looking woman with thick curly hair and has her police badge clipped to her costume." I'd tell you more about the character ... or the plot ... or the themes ... or when the darned thing will be on the shelves ... but I'm limited to what Saul will actually tell me. Which is ... not very much, at the moment.

See? I've already used "Jewish" and "graphic novel" and my post isn't even done yet. But that was too easy, I'll throw in some more below.

So ... Saul's newest "status" reads "My friend and fashion mentor Andy Nulman is giving away 200 free copies of his new book. I read it and loved so jump in".

I followed his hyperlink to http://powrightbetweentheeyes.typepad.com/pow_right_between_the_eye/2009/01/200-free-pow-booksan-offer-you-cant-refuse.html and, as it turns out, all one has to do is be one of the first 200 bloggers to post about the book with a hyperlink (the one I just used) and a valid mailing address.

I wonder how many other Bookcrossers will try for a copy.

So ... the main title of the book is POW! Right Between the Eyes! How refreshing it is to see a book with the well-known comic book sound effect "POW!" (and it has the stylistic comic book font to go with it) even though the book itself has nothing to do with comic books. It's a buiness book (the subtitle is Profiting from the Power of Surprise).

Hmmm ... I also see that the author's name is Andy Nulman. You know the joke about how most people whose names end with "-man" are Jewish. I don't know if that is the case with Andy or not.

Whether or not he is a member of the tribe, I'm sure that the book is worth a look and I look forward to receiving my copy at :

UJA-Research
4600 Bathurst St., 3rd Floor
Toronto, ON
M2K 3B9

Sunday, January 18, 2009

Comics and the American Jewish Dream - YIVO series

The YIVO Institute presents one-on-one interviews with three comics titans, whose work has had seismic effects on the general culture.

Al JAFFEE, JULES FEIFFER, and HARVEY PEKAR will be interviewed by comics writer and critic DANNY FINGEROTH.

YIVO’s “Comics and the American Jewish Dream” series kicks off WEDS. JAN 21 at 7:00 pm with:

“The MAD, MAD, MAD (Jewish) World of AL JAFFEE”

A graduate of New York’s High School of Art and Design, JAFFEE worked as an editor, writer and artist for Stan Lee at Timely (later Marvel) Comics during the 1940s. In 1955, Jaffee joined “the Usual Gang of Idiots” at MAD Magazine, where he’s been a mainstay ever since, entertaining generations with his Snappy Answers to Stupid Questions and Mad Fold-Ins. Join us as JAFFEE provides snappy answers to provocative questions about his art and life, including his new book, Tall Tales (Abrams).

About Danny Fingeroth:
Series curator and moderator DANNY FINGEROTH, a longtime writer and editor at Marvel Comics, has spoken about comics at the Smithsonian Institution and The New School. He’s the author of Disguised as Clark Kent: Jews, Comics, and the Creation of the Superhero (Continuum) and The Rough Guide to Graphic Novels (Penguin).

Wednesday, January 21, 7:00
The YIVO Institute For Jewish Research

15 West 16th Street / New York, NY 10011

Series Continues With
JULES FEIFFER: Tuesday, February 3, 7:00 P.M.
HARVEY PEKAR: Tuesday, February 17, 7:00 P.M.

ADMISSION TO PROGRAMS: $25 / YIVO members: $18 / students: $12
FOR TICKETS: Call 212-868-4444 or visit WWW.SMARTTIX.COM
FOR MORE INFO VISIT www.yivo.org

Friday, January 09, 2009

Boys of Steel: The Jewish Origins of Superman - Tue., Jan. 13th @ 8:15 PM

Superman thundered into existence in 1934, the product of two Jewish teens (Jerry Siegel and Joe Shuster) creating a character who was everything they were not. Marc Tyler Nobleman - author of Boys of Steel: The Creators of Superman, the first-ever illustrated biography on the superhero genre and the rise of comic books - shares secrets and rare, unpublished photos about the creation of the world’s first comic book superhero.

Location: 92nd Street Y
1395 Lexington Avenue
New York, NY

Price: $27.00

There's a Comicology.TV interview with Nobleman on YouTube at http://www.youtube.com/watch?v=mrbQ6R9yhUQ.

Spiralmind series launch - Saturday, 12-4 PM

Tomorrow, Saturday Jan. 10th, from noon until 4 PM, Ben Perez and Matt Rothblatt will be at All Star Comics (4406 Dyer St., El Paso, TX) for the long-awaited official launch of their comic book series Spirlamind.

As you may recall from previous posts, one of the important characters in the series is Rabbi Rotblatt. As one can tell from the preview pages, Rabbi Rotblatt is an Orthodox rabbi, the type of Jew who tries to observe all of the Jewish commandments to the best of his ability. He's the type of rabbi who would never think twice about violating the holy Sabbath unless doing so would help save a life. The type of rabbi who wouldn't, e.g. drive to a comic shop on a Saturday afternoon &/or purchase comics on a Saturday afternoon. But I digress.

Last month, El Paso Magazine published an article about the creation of the comic book series and its creators. The article may also be found online at http://epmediagroup.com/culture/408-an-el-paso-hero-is-born.

Here's an excerpt :


The idea came to me when I was at UTEP studying for my engineering degree,” says Perez. He tells of a fateful day four years ago, when he took a break during finals and went into a comic store for diversion. “I watched as a little kid asked the owner what it took to make a comic of his own and it sparked something in me that made me want to do it myself,” he recalls. Rattling off a very early version of the Spiralmind concept to Rothblatt, the partnership was sealed.

Rothblatt in turn called on Joaquin Silva, a co-worker at White Sands whom he knew had artistic experience. Turns out that experience was more valuable than was realized: Silva had formerly worked on animation for The Tick and lent that expertise to the nascent Spiralmind on everything from sequential art to character motion. The trio fleshed out every detail they could think of for their main character in great depth, covering who he was, who he was fighting, why he was fighting, what his background was, the weaponry he’d have at his disposal, and much more. Inspiration was taken from Batman, Spawn, and Daredevil combined with the styles of Frank Miller and H.P. Lovecraft to give Spiralmind a dark and mystical feel.

Both test engineers at White Sands, Perez and Rothblatt aren’t stereotypical comic book geeks. They represent the much broader audience for comics that exists and has been consistently (and successfully) tapped into via the adaptation of comic books into films. Spiralmind itself has the flare of more wide-ranging entertainment with appeal to anybody and everybody, both casual readers and big enthusiasts, with its combination of visual and verbal storytelling. As proven by Perez and Rothblatt’s gumption, the inspiration that birthed the character as well as the methods undertaken to produce a full-fledged comic are accessible to all.


The article also has 6 preview pages from the first issue as well as a color reproduction of its cover.

Thursday, January 08, 2009

Stan Goldberg at MOCCA tonight - 8 PM

Archie Comics legend, Stan Goldberg, will be speaking at MoCCA, the Museum of Comic and Cartoon Art, tonight, January 8th!

Stan is also known as the artist of the revamped Mendy and the Golem series.

Stan will be at MoCCA starting at 8:00 PM to talk about Archie Comics. Stan will share samples of his work and speak about his 50+ years in the industry, which includes a longstanding freelance career with Archie Comics, working with Stan Lee at Marvel, and freelancing for such companies/publications as DC Comics, National Lampoon, Child, Redbook, Seventeen, Working Woman, and many others. Bring questions to ask and snacks to share for this casual evening with a wonderful cartoonist and delightful individual.

Stan’s appearance is in conjunction with the exhibit “From Richie Rich to Wendy the Witch: The Art of Harvey Comic” that began December 18, 2008 and runs through March 15, 2009. Anyone interested in attending can contact MoCCA at

MoCCA
594 Broadway, Suite 401
New York, NY 10012
Tel. 212-254-3511
Fax 212-254-3590
Email info@moccany.org

Also in attendance will be Chari Pere, best known for her calendar - A Yearly Shpritz of Jewish Bits.

The Cartoonist Roundtable meetings are held at the Museum of Comic and Cartoon Art. They feature guest speakers that address the crowd over snacks and drinks. The meetings are FREE for MoCCA members and a $5 donation for non-MoCCA members. All proceeds will go to the MoCCA operations and programming. To join the Cartoonist Roundtable's bi-monthly newsletter, "THE SQUIB!"? Please send an e-mail to Margo & Chari at: CartoonistRoundtable@gmail.com.

Thursday, December 25, 2008

Spiralmind #1 - followup post

I was a bit hasty with my last post, in which I referred readers to Ka-Blam! While Ka-Blam! is the printer, the comics it prints are sold via IndyPlanet. The specific page for Spiralmind #1 is http://www.indyplanet.com/catalog/product_info.php?products_id=1560&osCsid=fe6458b427de0281d8422dfbab2d7632

Below is the issue description from that page :

On the day of his Bar Mitzvah, twelve year old Ben Landry is witness to his mother's brutal exorcism. In a bizarre and strange ritual foreign to him, young Ben watches as his only living parent struggles to survive the demons that possess her and the exorcism at the hands of Rabbi Solomon Rotblatt and Father Tom O'Brien. Ben's future is determined in this moment of horror. His youth has disappeared, and he is left under the care of his teacher, mentor, and friend Rabbi Rotblatt to guide him toward adulthood. Grown up, Ben Landry is caught between a normal life as an electrical engineer and the protector of humanity. Behind the enlightened guise of Spiralmind, Ben is able to manipulate Phi, the Golden Ratio. While Spiralmind comprehends his true purpose and power, the Occult throughout the city of Nineveh has revealed its malevolent plan for mankind.


The page also has a 6-page preview, the first of which I'm presenting below.

Rabbi Solomon Rotblatt

Spiralmind #1

Spiralmind issue #1 "Rabbi's Lament" will be out by 10 January 2009. To
purchase a copy online, visit comixpress or ka-blam. More information when it's available. Please stay tuned!

Published by Phi3 Comics.

Finally! Jewish Hero Corps #2

Just in time for Chanukah:
Issue #2 of Jewish Hero Corps has finally arrived!

"The Secret of The Solar Succah" is available now at:
http://www.indyplanet.com/catalog/product_info.php?products_id=1320&osCsid=4a6e739d7280559156ad37b0b7359fc3

A radiation-ridden asteroid heading for Earth can only be stopped by a vintage 1955 solar-powered, succah-shaped force-field, whose components were camouflaged and hidden in important Jewish historic spots across the globe decades ago.

In a race against time, The Jewish Hero Corps follows clues to track down where their predecessors hid the devices more than half a century ago.

After Chanukah, it will ALSO be available at the Jewish Hero Corps'
Web site - http://www.jewishsupers.com

The Jewish Hero Corps, the world's only Jewish superhero team, fights
for truth and justice, and against ignorance. Charter members Magen
David, Menorah Man, Dreidel Meidel, and Minyan Man, have recruited
Shabbos Queen, Matzah Woman and Kipa Kid ... and the adventures have
only begun!

Wednesday, December 24, 2008

Happy Hanukkah!!! - recent (& not-so-recent) Chanukah comics

Tonight will be the 5th night of Chanukah, but today's only the 4th day. Therefore, I've only let half the holiday slip by before posting my annual roundup of Hanukkah comic strips and Chanukah stories in comic books.

As my Hanukkah gift to my loyal readers, I'm using up a chunk of my image file allotment to present graphics in this post. Enjoy!

First up is Hillary Price's Rhymes with Orange, which may by found online at http://www.rhymeswithorange.com/index.php?date=20081222
The Hanukkah Guest






Last year, the "erev Christmas" / Xmas Eve Off the Mark comic strip by Mark Parisi presented us with Extreme Dreidel.

Although there is no new Hanukkah strip from Mark this year, he has placed all of his Chanukah comic strips at a single online location for your convenience : http://www.offthemark.com/search-results/key/hanukkah/

I only learned about the delightful comic strip The Pajama Diaries by Terri Libenson, which is about a Jewish family, earlier this year.

Last year, Hanukkkah came out earlier and Terry used that fact in her cartoon.
The Hanukkah Rush








Another cartoon Terry did had to do with the way that Jewish kids' lunches can seem strange to their Gentile classmates.
latkes for lunch









I love this one about explaining to Jewish children that Jews - young & old - don't believe in Santa Claus.
We don't believe in Santa?!!!








As Terry wrote in her blog "I was careful to tread lightly around the existence of certain major December holiday character".

The 2 above cartoons were from December 2006.

Last January (Jan. 5th, 2007), Level 99 by 2 guys (only known as "Race" and "Arlo") showed us how useful a Jewish shopper can become for a desperate Saint Nick.

Happy Hanukkah to me!














http://www.level99comic.com/item/292

Back in 2002, in the webcomic White Bread and Toast, White Bread complained about not getting any Hanukkah gifts.
only Jews get Hanukkah presents?












http://www.whitebreadandtoast.com/comics/toast391.gif

For Xmas Eve 2003, Ryan Sohmer & Chad William Porter presented a holiday strip in which the main protagonist (Rayne) wishes the readers a Merry Xmas ... while tied to a giant cross. That doesn't seem to have Jewish content. However, after being told that he's likely offended 2/3 of their readers, Rayne (an equal opportunity offender) decides to offend the other third by holding their religious symbols in his hand (including a Star of David).
Have I offended everyone now?













http://www.leasticoulddo.com/index2.php?date=20031224

In 2005, "Enigma" shared his idea for "the first truly multi-denominational holiday symbol" in his webcomic Filthy Lies!. Alas, I haven't found it in any holiday catalogs yet.
the ultimate menorah













http://www.filthylies.net/d/20050119.html

Last December, Jewcy published a 1-page comic critical of the Maccabees and noting the reluctance of Jewish leaders to recognize the holiday. It was co-written by ever-controversial cartoonist Eli Valley & "cranky blogger" David Kelsey titled "The Festival of Lights". The comic - and comments it generated from visitors to the site - may be found at http://www.jewcy.com/feature/2007-12-04/eli_valley_hanukkah
Convert to Judaism or die!
























I'd explain the following Ramp Rats comic strip by Elene Steier entitled "A Mothra Hanukkah", but it's probably best to let the reader enjoy it (or not) and interpret it as they see fit (or not).
http://striporama.com/ramprats/mothra_Hanukkah_2003.jpg

The Hanukkah Moth - a psyshedelic fantasy?


















Meanwhile, Patty & Terry Laban are running their annual 8-day Chanukah comic strip marathon. Unlike last year, there is no ongoing storyline and the special menorah introduced last year is nowhere to be found. This year's theme is "You know it's Hanukkah when ..."

if only everything lasted longer












http://www.chron.com/apps/comics/showComick.mpl?date=20081221&name=Edge_City

Hanukkah can be fattening












http://www.chron.com/apps/comics/showComick.mpl?date=20081222&name=Edge_City

dreidel, dreidel, dredel. I made it out of clay.












http://www.chron.com/apps/comics/showComick.mpl?date=20081223&name=Edge_City


watch the money disappear












http://www.chron.com/apps/comics/showComick.mpl?date=20081224&name=Edge_City

The remaining cartoons may be viewed - over the course of the next four days - by clicking on the following four links :

http://www.chron.com/apps/comics/showComick.mpl?date=20081225&name=Edge_City

http://www.chron.com/apps/comics/showComick.mpl?date=20081226&name=Edge_City

http://www.chron.com/apps/comics/showComick.mpl?date=20081227&name=Edge_City

http://www.chron.com/apps/comics/showComick.mpl?date=20081228&name=Edge_City

The comic book world has also been recognizing the Jewish festival of lights.

This year's issue of The Simpsons Winter Wing Ding (issue #3, to be exact) includes a story by Arie Kaplan (erroneously credited as "Ari Kaplan") entitled "Not a (Green, Slimy) Creature was Stirring". In this story, Jewish show biz celebrity Krusty the Clown tries to create a Hanukkah mascot.

This isn't the first time a Simpsons anthology has contained a Chanukah story.
In 2006, The Simpsons Winter Wing Ding #1 included the story "The Gift of the Maccabees" written by Evan Dorkin & Sarah Dyer. That story had a Krusty flashback to Las Vegas in 1963.

The Simpsons Holiday Humdinger published in 2004 included the story "Con-Nukah!", in which Bart Simpson made the (temporary) decision to become Jewish - for the eight days of presents that he'd be entitled to during Hanukkah, of course.

Bart Simpson wearinga yarmulke and holding a dreidel and a menorah



















The story is summarized well by Mark I. Pinsky in an online excerpt from the book The Gospel According to the Simpsons :

At Hanukkah, he [Bart] learns from a Jewish friend about the eight nights and eight gifts, and naturally Bart decides to convert, noting the additional benefit of holidays off school. Homer asks if his son is certain he wants to “abandon the faith you happened to be born into,” the reason most people worship where they do. Bart, now wearing a skullcap all the time, replies that he’d rather be on Krusty’s team than the Flanderses’. Following the sometimes traditional practice for those who want to convert to Judaism, Rabbi Krustofski turns Bart down several times — to be certain he is serious — before agreeing to take him on for classes. Bart argues that if he became Jewish, he’d be a “trash-talkin’ Spiky-haired Seinfeld with a Fox attitude.” Even so, the rabbi is unconvinced, predicting the boy would not like the religion because “so much Judaism is like opera, the Lincoln Douglas debates, and the Atkins Diet, all rolled into one.” Bart is plainly in it for the toys, which his parents supply each night of the holiday (along with gingerbread rabbis), but sister Lisa is optimistic that her brother may be undergoing a spiritual awakening. Her gift, after lighting the menorah, is a book about Jewish history, humor, and “food-oriented Yiddish phrases” that Bart uses as a TV tray, holding Dr. Brown’s Cream Soda and lowcarb hamentaschen. The boy also announces he can’t do chores around the house on Saturdays because he has become a strict Sabbath observer. As a convert to Buddhism, Lisa despairs at her brother’s antics. “I thought we finally had something in common,” she says. “That we followed our hearts because of what we believe in. But as usual, the only thing you believe in is self-gratification.” In the end, Bart spends enough time with the rabbi to make the right decision and not convert. “Love the religion,” he confesses to Lisa, “but, oy . . . I can’t handle the guilt.”


In the latest issue of Super Friends (#10), in the story "Season of Light" written by Sholly Fisch, the superheroes visit the Wayne Foundation Community Center, where the children are celebrating all of the Winter holidays together. In one panel, Batman helps Moshe to put the candles in the Hanukkah menorah.
Batman lights the Hanukkah menorah with Moshe























However , Dr. Light tries to steal the celebration lights.

According to Shirala's website, her Hanukkah CD comes with a comic.
Check it out for yourself by going to http://shirlala.com/index.php/recordings

I have 2 "leads" for comics which may exist &/or may have Hanukkah content in them.

The first comes from Mike Lynch, who wrote at http://alwiseman.com/2006/06/al-wiseman-appreciation-by-mike-lynch.html
"I learned about Jewish people via Dennis. In one Christmas Special there was a substitute milkman during the holidays and Dennis rode on the milk truck with him and his son. They explained that they were Jews and the regular milkman wanted Christmas off and they, you see, celebrated Hanukkah instead of Christmas, etc. They told Dennis about their religion. It was news to me. What can I say? We lived in a small town!"
It's a bit unclear to me if Lynch is referring to a Dennis the Menace TV special or a comic book special. If he is referring to a comic book, I don't know which one and would welcome input from anyone who knows about such a comic.

The latest issue of DCU Holiday Special (2008) has a story in which Dr. Light aids with the Festival of Lights. However, I'm not 100% certain the "Festival of Lights" being referred to is Hanukkah.

I'll conclude this long Hanukkah post by referring readers to the blog post / Hanukkah sermon of Rabbi Simcha Weinstein (aka the Comic Book Rabbi). In his post Chanukah: A Time For Superheroes, the rabbi makes reference to the 1993 Marvel Comics Holiday story (by Peter David) in which Doc Samson spices up the Hanukkah story by inserting Marvel superhero and supervillain characters. Weinstein concludes that "being a teacher isn’t easy. And teachers are today’s real heroes. They remind us that the great people of our past, like the Maccabees, did remarkable things and won amazing victories while armed with little more than their faith. If they could do it, imagine what we can accomplish. Even without long green hair and red spandex tights."

Sunday, December 07, 2008

The Comic Book Rabbi Comes to Toronto - Tues., Dec. 14, 8:00 PM

Rabbi Simcha Weinstein, author of Up Up & Oy Vey : How Jewish History Culture & Values Shaped the Comic Book Superhero will be appearing at Chabad @ Flamingo for a public lecture, followed by a Q & A with the author, who will be on hand to meet greet, and sign copies of his book.

Some of Simcha Weinstein's earliest memories involve comic books, superheroes and (the now valuable) vintage Batman and Superman toys. His hobby inspired him to study film and eventually pursue a career in film production.

Following a life-altering paradigm shift, Simcha became a Torah observant Jew and was eventually ordained as a Rabbi. He is the founder of the downtown Brooklyn Jewish Student Foundation, and he serves as the Rabbi of the Pratt Institute and the Long Island College Hospital.

Rabbi Weinstein is a witty, entertaining and sought-after public speaker who has lectured across North America and has appeared on CNN, NPR and WNBC. Vist his website www.rabbisimcha.com to learn more about him.

Thursday, December 04, 2008

Miriam Libicki in Seattle tonight - comic book reading and discussion

Today, Miriam Libicki (author-illustrator of the jobnik! series, the first volume of which has been collected in trade paperback, the illustrated essays "Towards a Hot Jew: The Israeli Soldier as Fetish Object" and "Jewish Memoir Goes Pow! Zap! Oy!" & the illustrated mini-journals Ceasefire and Fierce Ease) brings her innovative comics reading/slideshow to UW Hillel!

4745 17th Ave NE Seattle, WA 98105
7:00-8:00 PM

Q&A and book signing to follow. Miriam will be bringing the brand-new collection of her army comics, "Jobnik!: An American Girl's Adventures in the Israeli Army," (in stores December 3rd) as well as various mini-comics and essays.

If you'd like to electronically RSVP, please go to http://www.jconnectseattle.org/?site=jconnect&page=calendar&action=viewEvent&eid=1522×tamp=1228377600

At least a dozen websites have discussed Miriam &/or her website, including the ones I am quoting from below.

The IDF, Graphically Speaking

“Jobnik!”, the autobiographical graphic novel penned by Miriam Libicki, is an unromantic journey through a dreary, mundane, male-dominated military that will make readers wince. It’s an outsiders’ take on the drudgery of army life, its sexual tensions and massive bureaucracy set against the backdrop of the outbreak of the recent Palestinian intifada.


jobnik! and more
as befits the material, the book is sometimes ambiguous and versatile; parts of it are funny, parts of it are about conflicting feelings of acceptance (stranger in a strange land, getting in touch with her roots?), parts of it are about being afraid... there are some slippery relationships and a subtext of self-doubt and unease.


Jobnik!: A Good Jewish Girl Gone Better

What is precisely so appealing about Jobnik! and Libicki’s work as a whole is that she is not scared to portray her contradictions and divided loyalties. She suggests no political posturing or wanting to please one polarized political group over another – though certain sections could certainly be isolated and misquoted to seem that way. As her comic progresses, Libicki's art reveals additional layers of texture and depth. And as Miriam’s story continues to unfold, Libicki, her creator/human counterpart, is definitely one graphic artist to watch.


In the army, as in life
For me, though, the most touching and interesting of the Jobnik series is on the pages where Miriam uses intimate experiences to engage in painful self examination and apply them to the complexities of Israeli society and politics.


Jewish storytelling in pictures
Her self-produced comic, Jobnik!, chronicles her day-to-day life in the Israeli army in frank, often blunt terms. Jobnik is Israeli slang for someone in the army with a desk job. More of a graphic diary than a comic, Jobnik! imparts a rarely seen perspective of an army generally viewed as vigilant and relentless. Jobnik! takes us behind the scenes, where soldiers wash dishes, file reports and fool around.


Soldier GirI

“Jobnik!” grounds the reader in moral questions of war and Libicki’s excruciating loneliness.


Jobnik!

Miriam Libicki has a pitch that many would want to read about — she’s an American Jew who enlisted in the Israeli Army — but her art is painfully unready for professional publication, and she’s not able to structure various incidents in a way that adds up to anything more than “and then this happened”.


Jobnik!

it’s always amusing to see the play of emotions across people’s faces as they carefully examine this “Israeli” comic. Is it pro-Palestinian? Pro-Israel? Self-hating? Apolitical? It’s always fun to watch their skeptical faces searching for the pro/anti agenda.


jobnik

Her tales retell Miriam’s unique experience as an American Jewish girl that joins the Israeli Army and lively hood that it entails. Miriam’s work is a gorgeous heartful style that is reminiscent of Phoebe Glockner with Miriam’s own unique talent.


To listen to the podcast interview, please click on the inline player or go to http://www.inkstuds.com/wp-content/podcast/060504%20jobnik.mp3

LIBICKI'S JOBNIK! IN THE ISRAELI ARMY
interview with Jennifer M. Contino (of The Pulse)

Bawdy Barracks (excerpt of an article from issue 16, November 24, 2008 of The Jerusalem Report)

Wednesday, November 19, 2008

2 comics exhibitions at Brown University

from http://news.brown.edu/pressreleases/2008/11/comix


Two student-curated exhibitions of comic book art showcasing the work of Jewish artists and exploring Jewish themes will be on display at Brown University’s John Hay Library and the John Nicholas Brown Center Carriage House this fall and winter.

Jews and American Comics: An Exhibition of Popular Art captures the contributions Jewish writers and artists made to comic art since its origin in the Yiddish press of the early 1900s. On display are examples of the art form drawn from the Hay’s collection of more than 70,000 comic books. Artists included in the exhibit include Rube Goldberg, Harvey Kurtzman, Al Capp, Will Eisner, Trina Robbins, and Aline Kominsky Crumb, on display in works from Action Comics to Mad Magazine to the Vault of Horror. The Hay exhibition is open through Friday, Dec. 19, 2008. On Sunday, Nov. 16, 2008, the student curators will hold an exhibition open house from 2 to 4 p.m.

Jews and American Comics: The New Generations, at the John Nicholas Brown Center’s Carriage House Gallery, presents images of recent comic book art. It considers the ways the artists address social issues — violence, prejudice, the threat of war, environmental devastation, and media manipulation — as well as issues of individual and collective identity, and Jewish history. Artists in this show include Art Spiegelman, Miriam Katin, Eric Drooker, Sharon Rudahl, and James Sturm. The exhibition runs Friday, Nov. 21, 2008, through Friday, Jan. 30, 2009.

Both exhibitions are based on work done by students in Paul Buhle’s course, “Jewish Americans: Film and Comics,” with the assistance of John Hay Library curator Rosemary Cullen, public humanities graduate student Leah Nahmias and the staff of the John Nicholas Brown Center.

The John Hay Library is located at 20 Prospect St., Providence. The Library is open Monday through Friday from 9 a.m. to 6 p.m. and Sunday from 1 p.m. to 5 p.m.

The John Nicholas Brown Center for Public Humanities and Cultural Heritage is located at 357 Benefit St., Providence. The exhibit is open Monday through Friday from 2 to 5 p.m. For more information, call (401) 863-1177 or e-mail publichumanities@brown.edu.

The exhibition and events are sponsored by the Creative Arts Council, the John Nicholas Brown Center for Public Humanities and Cultural Heritage, and the Department of Visual Arts.

James Sturm lecture at Brown University - Nov. 20th

from http://thephoenix.com/BLOGS/notfornothing/archive/2008/11/17/thursday-jews-and-american-comics.aspx


As part of the opening celebrations for the student-curated exhibition Jews and American Comics: The New Generations, famed comic artist and director of the Center for Cartoon Studies, James Sturm, will give a keynote address and participate in a panel discussion that will explore Jewish themes in comics strips and comic books, and the ways that Jews have shaped this popular American art form. The panel will also include Jason Lutes, a 1991 RISD graduate and artist of the renowned Berlin comic book series (collected in the books Berlin : City of Stones and Berlin : City of Smoke) and Sara Rosenbaum ’00, a former comic artist and former Providence Journal staff writer. This event begins at 5 p.m. in Salomon Center for Teaching, Room 001. A reception and the exhibit opening will follow immediately at 6:30 p.m. at the John Nicholas Brown Center, 357 Benefit St.

Tuesday, November 18, 2008

Sarah Glidden to be interviewed on the Comic Book Club show - tonight!!!

Sarah Glidden (author-illustrator of the autobiographical How to Understand Israel in 60 Days or Less!, which will be published by Vertigo) will be one of the guests who will be interviewed tonight at 8:00 PM at the Comic Book Club show at the Peoples Improv Theater (154 W. 29th Street, New York City).

Hosted by Justin Tyler, Pete LePage, and Alex Zalben. The show is sponsored in part by Midtown Comics! Tickets are only $5 and may be purchased online by going to http://www.brownpapertickets.com/event/46447.

Apparently, the show is podcast. The archive of podcasts may be found at http://www.popcultureshock.com/cbclub/?tag=podcasts.

Saturday, November 15, 2008

Ranen Omer-Sherman at Miami Book Fair International - TODAY!!!! (Sun., Nov. 16th)

Ranen Omer-Sherman (Associate Professor of English and Jewish Studies at University of Miami) will be part of a panel being held at the Centre Gallery (Building 1, 3rd Floor) at 10:30 AM during the Miami International Book Fair. Ranen will be talking about the book The Jewish Graphic Novel: Critical Approaches, which he is co-editing with Samantha Baskind (Associate Professor of Art History at Cleveland State University). More information about the book may be found at http://rutgerspress.rutgers.edu/acatalog/The_Jewish_Graphic_Novel.html. Among the contributors is Prof. Laurence Roth (Associate Professor of English and Jewish Studies at Susquehanna University).

Wednesday, November 05, 2008

Israeli comics lecture at Library of Congress - Nov. 6th

Courtesy of Washington DC comics scholar Mike Rhode, who posted this
at
http://comicsdc.blogspot.com/2008/11/nov-6-israeli-comics-lecture-at-library.html

*****

Drawing both from Judeo-European and American cultures, comics have
been a mainstay of Israeli newspapers and readers' markets since the
early 1930s. Little known outside the Middle East, these comics open
an interesting window into Israeli society, past and present.

Ofer Berenstein will deliver a lecture titled "Israeli Comics: Past and Present" at the Library of Congress at 1 p.m. on Thursday, Nov. 6, in the Montpelier Room, located on the sixth floor of the James
Madison Building at 101 Independence Ave S.E., Washington, D.C.

The lecture, which is sponsored by the Library's Prints and
Photographs Division
, Serial and Government Publications Division and
the Hebraic Section of the African and Middle Eastern Division, is
free and open to the public; tickets are not required.

Ofer Berenstein is a founding member of the Israeli Comic Book
Readers and Collectors Society. He served in the Israeli Army Home
Front Command as a photographer, graphic designer and editor. He is a
graduate student at Bar-Ilan University in Israel.

1:00 PM - 2:30 PM
Library of Congress
African/Middle Eastern Reading Room Second floor Thomas Jefferson
building
101 Independence Avenue SE
Washington, DC 20540
Phone: (202) 707-2905
Fax: (202) 707-9199
Email: pao@loc.gov

Friday, October 03, 2008

The Jewish Side of SPX 2008

This weekend (Saturday & Sunday), the Small Press Expo will take place at the Bethesda North Hotel & Conference Center.

Among those in attendance will be :

* Josh Eiserike, whose Liberal Crap comic strips for University of Maryland's Diamondback student newspaper included a cartoon about Jewish dating websites and a cartoon about the perks (and downside) of being Jewish

* Sarah Glidden (author-illustrator of the Ignatz-nominated How to Understand Israel in Sixty Days or Less! (in the Promising New Talent and Outstanding Mini-Comic categories)

* Ben Katchor (author-illustrator of The Jew of New York)

* Miss Lasko-Gross (author-illustrator of the graphic autobiography Escape from "Special")

* Miriam Libicki (author-illustrator of the jobnik! series, the first volume of which has been collected in trade paperback, the illustrated essay "Towards a Hot Jew: The Israeli Soldier as Fetish Object" and the illustrated mini-journals Ceasefire and Fierce Ease)

* Jason Lutes (author-illustrator of the comic series berlin, which has been collected in the trade paperbacks Berlin : City of Stones and Berlin : City of Smoke and author of Houdini : The Handcuff King)

* Jim Ottaviani (author of Wire Mothers: Harry Harlow and the Science of Love and Fallout : J. Robert Oppenheimer, Leo Szilard, and the Political Science of the Atomic Bomb)

* Lauren Weinstein (author-illustrator of the anthology Girl Stories, which includes the story "Chanukah Blues", as well as of the story "Horse Camp" which appeared in the anthology Stuck in the Middle).

Tuesday, September 30, 2008

David Crane comic strip - Oct. 18, 1959

To all my Jewish readers, I would like to extend a hearty Shanah Tovah (Happy New Year)!

Although I rarely put images in my blog posts, tonight I'd like to share an old comic strip illustrated by Canadian cartoonist Win Mortimer, who passed away 10 years ago.

In the following David Crane strip, David explains to a group why Jews cover their heads and also discusses Jewish symbols. I wonder where the line "it [a fringed prayer shawl] or a skullcap or both are worn in the synagogue" came from. I've never seen anyone in shul wearing a tallis but not a yarmulke. Those who are seen not wearing one are usually politely reminded that they should be wearing a skullcap and most synagogues have extra yarmulkes on hand for those who may have forgotten theirs somewhere or lost it on the way there.

Please click on the hyperlinked image below to see a larger, clearer version of the comic.

Why do Jews cover their heads in the synagogue?

Saturday, September 20, 2008

meet Jordan Gorfinkel, Harvey Pekar, or Marc Tyler Nobleman

The Maltz Museum of Jewish Heritage in Beachwood, Ohio is currently hosting the touring exhibition "Zap! Pow! Bam! The Super Hero: The Golden Age of Comic Books, 1938-1950".

That's the Maltz Musem, not the Shmaltz Museum.

Although it's basically the same exhibition that's been on display in such places as New York, Miami Beach, and Atlanta, each host city's museum has the opportunity to focus in on local Jewish cartoonists (Miami Beach's museum had a special focus on Will Eisner, who had moved to Miami from New York).

Cleveland has been the home to quite a few Jewish comix creators, including Brian Michael Bendis and Peter Kuper.

On Wed., Oct. 22nd (7:00 PM), Jordan B. Gorfinkel (author-illustrator of the syndicated Jewish comic strip Everything's Relative and Michael Sangiacomo (Plain Dealer comics columnist and author of Tales of the Starlight Drive-In) will talk about the impact of Jewish comics creators.
"Who Knew? Why All Superheroes (and their creators) are Jewish!"
$10 ($8 for Maltz members)

On Sun., Oct. 26th (1:45 PM at the Bertram Inn and Conference Center), legendary comix writer Harvey Pekar (American Splendor, The Quitter, Ego & Hubris, Our Cancer Year) will talk about his unique brand of comic storytelling with Michael Pawuk (Teen Librarian at the Cuyahoga County Public Library [Brooklyn Branch] and author of Graphic Novels: A Genre Guide to Comic Books, Manga, and More)
"The Splendor of Graphic Novelist Harvey Pekar"
$15 ($10 for Maltz or JCC members)

On Wed., Nov. 5th (7:00 PM), Marc Tyler Nobleman will talk about his children's book Boys of Steel: The Creators of Superman which spotlights Jerry Siegel and Joe Shuster.
"It's a Bird! It's a Plane! It's ... Siegel and Shuster!"
$10 ($8 for Maltz members)

Thanks to Shawna Gambol Woodard (aka the Library Mistress) for announcing these exciting events at her blog.

Wednesday, September 17, 2008

A Yearly Shpritz of Jewish Bits

I usually don't get too enthused about the wide assortment of oversized, overpriced, theme calendars that flood the market every September. For my own personal use, all I need is the most basic type of calendars - the plain type with just the dates in big squares for me to jot down important events and appointments.

Even though I am a lover of both Judaica and comics, I usually avoid the Jewish or comix-themed calendars, which are usually just recycle previously-published illustrations or photographs.

This year, however, I have been introduced to a calendar that not only combines something Jewish (specifically, Jewish jokes) and the comix format, but also something which contains cartoons which have not previously been published (i.e. NEW material).

The product I am talking about is A Yearly Shpritz of Jewish Bits : The Ultimate Illustrated Calendar of Jewish Humor (Old and New), with jokes adapted into comics format by the talented former MAD intern Chari Pere.

As with other standard Jewish calendars, this one displays both the English and Hebrew dates, marks both Jewish and American statutory holidays and provides Friday night (shabbos) candle-lighting times.

Unlike other Jewish calendars, it ends with a bibliography, pointing readers to the sources (print & online) from which Chari adapted the jokes and showing them where to find more jokes.

Among the cute touches to be found in the pages of the calendar are the recurring sun motif at the top of each month which wears progressively more or less clothing (including sunglasses, which seemed ironic to me), fictional holidays (though I could seee myself making a new tradition of annually celebrating National Chocolate Chip Day, National Ice Cream Sandwich Day and I Am In Control Day), and subtle jokes in the background (e.g. newspaper headlines : "Jew Wins Marathon" and "World's Biggest Latka").

I would say that the only drawback to this year's (inaugral) calendar of Chari's is the small size, which resulted in date squares too tiny for me to scribble in the multitude of appointments and events that I try to schedule in every year. On the other hand, this comic calendar is too nice-looking for me to want to mark it up at all (and I receive enough large-sized freebie calendars to let me use for that).

Overall, I would highly reccommend this laugh-your-tuchus-off product to anyone who enjoys humor (and particularly those who enjoy Jewish comedy) or cartoons (and particularly those who enjoy Jewish comics) and those who love fun calendars (and particularly those who enjoy fun calendars featuring cartoon adaptations of Jewish jokes). Since calendars are an annual publication, Chari Pere's Yearly Shpritz gives us something to look forward to every Fall.

And don't just take my word for it.

The Jewish Star's Alan Jay Gerber (the "Kosher Bookworm" ) wrote the following in his review / profile of Chari

calendar that will never be thrown out after it expires one year from now


I have never seen anything like this. It is different and funny, and unique for a calendar since it is dated; the jokes and humor used are indeed dated to an era long past and forgotten, yet deliberately revived to entertain a new generation of young Jews.

Tuesday, September 09, 2008

meet Paul Buhle, Miriam Libicki, or Arie Kaplan

Tomorrow night, the KGB Bar is hosting the launch of a new book edited by Paul Buhle - Jews and American Comics : An Illustrated History of an American Art Form.

Among the special guests (besides Buhle) will be Lawrence Bush (editor of Jewish Currents, Kim Deitch, Miriam Katin (author of We Are On Our Own), Peter Kuper (author of the story "Promised Land" and the graphic autobiography Stop Forgetting to Remember : The Autobiography of Walter Kurtz) and Seth Tobocman (author of Portraits of Israelis and Palestinians: For My Parents ).

The launch is scheduled to start at 7:00 PM.

85 East 4th Street
NY, NY




Israeli-Canadian journalist Lisa Goldman reports at her blog (On the Face) that Canadian cartoonist Miriam Libicki (author of the jobnik comic book series, the first 6 issues of which have been collected in a trade paperback) will be appearing at Tel Aviv store Comix ‘n Vegetables (40 King George Street, around the corner from the Dizengoff Center) at 11:00 AM on Friday, September 12 for a Q&A session and signing.




Arie Kaplan, author of From Krakow to Krypton: Jews and Comic Books has been scheduled for 10 appearances to discuss and promote his book. Those appearances - and any which haven't been finalized just yet - are listed / will be listed at http://www.fromkrakowtokrypton.com/tour.html.

On Sep. 14th (3:30-5:00 PM), Arie will give an audiovisual presentation at a teen program to be held at the Hilton Garden Inn (12600 University Dr., Fort Myers, FL)

On Nov. 2nd (9:00-11:00 AM), as part of the grand opening of the Temple Emanu-El Library in Closter, NJ (180 Piermont Road), Arie will meet Grade 4 & 5 students (9-10) and will be the guest speaker for the Adult Breakfast (10-11).

On Nov. 4th, Arie will be one of the guest authors at Toronto's 32nd annual Jewish Book Fair, which will be held at the Koffler Centre of the Arts (4588 Bathurst Street).

On Nov. 5th (7:00 PM), Arie will be appearing at the Gershman Y in Philadelphia (401 South Broad Street).

On Nov. 6th, Arie will be appearing in the Rosenwald Gallery at the University of Pennsylvania (3420 Walnut Street, sixth floor) for a lively presentation - including film and video clips - followed by a book signing, as part of Comics, Animation, & Graphic Novels at Penn : A Year-Long Celebration. To RSVP for this event, please go to http://www.library.upenn.edu/forms/eventsresponse3.html.

On Nov. 9th (10:00 AM), Arie will be appearing at the Jewish Book Festival brunch of the Jewish Community Alliance in Jacksonville, FL (8505 San Jose Blvd.).

On Nov. 16th (2:00 PM), Arie will be appearing at the Twin Cities Jewish Book Fair at the Jewish Community Center of the Greater St. Paul Area (1375 St. Paul Avenue).

On Nov. 18th, Arie will be appearing at the JCC of Greater Kansas City (5801 W. 115th Street St #101).

On Nov. 20th, Arie will be appearing at the Jewish Community Center of Greater New Haven (360 Amity Road).

On Dec. 8th (6:30 PM), Arie will be appearing at Temple Beth El of Northern Westchester [220 South Bedford Road (Route 117)]

Thursday, August 28, 2008

Spend Labor Day with Freeman & Rosezweig (& other authors)

Luke Ford's blog is promoting the 4th annual Ben Yehuda Press Labor Day BBQ and Literary Hootenanny, which will be held Monday, September 1st at 1 PM - 430 Kensington Road, Teaneck, NJ 07666.

Among the authors who are scheduled to make an apperance to discuss their work are The Comic Torah's author & illustrator team Sharon Rosenzweig and Aaron Freeman.


Sharon Rosenzweig and Aaron Freeman will discuss their upcoming THE COMIC TORAH: REIMAGINING THE VERY GOOD BOOK, it’s the Torah — the take is a comic look, the format is a comic book, from the minds of Chicago artist, Sharon Rosenzweig and stand up comic, Aaron Freeman.


If you plan on attending the BBQ, please RSVP to Larry at larry@BenYehudaPress.com.

Sunday, August 10, 2008

Lilith magazine promotes Jewish graphic novels

The Spring 2007 issue of Lilith magazine contained a 1-page preview of Rutu Modan's Eisner-winning graphic novel Exit Wounds (page 48).

The Fall 2007 issue contained both a review of Sharon Rudahl's graphic novel A Dangerous Woman : The Graphic Biography of Emma Goldman (p. 43-44) and a 1-page preview of Miriam Libicki's jobnik! series (p. 48).

Pharaoh's Daughter & Miriam Save Moses : The Value of Life

The Summer 2006 issue of Lilith magazine mentions on page 46 that Behrman House has published a manga titled Pharaoh's Daughter & Miriam Save Moses : The Value of Life, as part of its Manga Midrash series. The other 3 titles in the series are : Courage : Moses, the Israelites, and the Golden Calf, Compassion: Eliezer & Rebecca at the Well, and Leadership: Jacob and Esau.

Super Man and the Bug Out

courtesy of feygele at Jewschool :


The Super Man and the Bugout, a short story by Cory Doctorow from his collection A Place So Foreign and Eight More, is “about Superman as a Jewish boy raised in Toronto’s suburbs (Superman’s creators being, of course, nice Jewish boys from Toronto!), put out of work by the arrival of benevolent aliens who welcome Earth to the Galactic Federation.”

...

Roy Trumbull has done a great performance of the short story, now available on mp3. At 56 minutes long, I recommend downloading it to your favourite portable mp3 player and listening as you walk around town, take your daily commute, or go on your lunch break. Definitely worth a listen!

8th Animation Comics & Caricature Festival - Tel Aviv - Aug. 13-16

The 8th Animation Comics & Caricature Festival will be held this week - August 13-16 at the Cinematheque in Tel Aviv. Forf more info (in Hebrew), please go to the website at http://www.anicomfestival.co.il/.

Graphic Therapy - Notes from the Gap Years

Artist Emily Steinberg tells us about her life in the online autobiographical graphic memoir Graphic Therapy - Notes from the Gap Years. The memoir is divided into "sessions" and thus, far only the first 3 sessions have been uploaded.

Her mini-bio at the Smith site reads "Emily is 39, single, underemployed, and can’t decide if she’s a dilettante or a genius. We’re pretty sure it’s the latter. Her fearlessly blunt diary of her “gap years” exposes a unique worldview on art, commitment, Nazis, mice, copy-machine salesmen, Judaism, SUVs, and psychoanalysis. Plus, it has funny pictures."

The story should be read from start to finish, but for those just interested in the "Jewish" passages, I'll provide links and quotes below :

http://www.smithmag.net/graphictherapy/2008/06/04/chapter-1/3/

I mean, according to the normal plan, the nice Jewish girl plan, I was supposed to be married to a mensch, living in the burbs, and schlepping my children all over creation in my oversize SUV, a cumbersome but stylish vehicle which resembles a living room more than a mode of transport.


http://www.smithmag.net/graphictherapy/2008/07/14/chapter-2/4/


When I was a little girl in the late 60's, early 70's, I used to think to myself, I have two strikes against me : I'm female and I'm Jewish, but at least I'm not black. It seemed to me that life options for girl's were limited to wife, mother, grandma, and maybe secretary or nurse, if you were really lucky. So I figured it was bad that I was a girl.

And it was super bad that I was Jewish. At the tender age of seven or eight, they started showing us horrendous films about the Holocaust in Hebrew School.

Images of naked women and children, in grainy black and white, gunned down in a pit. Images of naked men, being forced to lie down and be whipped by fully dressed S.S. officers.


http://www.smithmag.net/graphictherapy/2008/07/14/chapter-2/5/


Mom and Dad told me they wanted to have a lot of children to off set the loss of the Jews in the Holocaust. That's pretty heavy information for a kid. Just a tad more intense than Fun With Dick & Jane. No wonder Jewish kids are so neurotic. So, I realized it was really bad to be Jewish.


http://www.smithmag.net/graphictherapy/2008/07/14/chapter-2/6/

Mom and Dad were liberal Jews, born and raised in Brooklyn, New York. The shtetl relocated to Ocean Parkway.


http://www.smithmag.net/graphictherapy/2008/07/28/chapter-3/2/


My body has become a monlith, sort of like Stonehenge.

...

It's all because of my fucking DNA. These are my great, great grandparents, serious shtetl stock. Big people with big bones. In my family, if you didn't eat often and with gusto, something was wrong with you.


http://www.smithmag.net/graphictherapy/2008/07/28/chapter-3/8/


Over the summer, I visited Heinie at the Haupterfuehrerberger farm in Oregon. Feeling like a Hasid, in black robes and a fur-trimmed hat, my side locks swinging in the breeze, this East Coast Jew flew West to hang with a passel of ex-pat Krauts on the new Sudetenland.


http://www.smithmag.net/graphictherapy/2008/07/28/chapter-3/9/


I was like, huh? So, there I was, the quintessential Jew, drinking wine and eating swine at a table presided over by a diminutive, wizened former Nazi party member.

Don't Look Back

Don't Look Back is a Hebrew comix work with text by Israeli song writers, and comic illustrations by Israeli artists.

A sample page may be found online at http://www.flickr.com/photos/61209614@N00/2525341333/sizes/o/.

Saturday, August 09, 2008

The Jews Ruined My Life

The first page of the Hebrew comic story "The Jews Ruined My Life" by Daniel Goldstein, which will appear in the anthology Izrapol, may be viewed online at http://www.flickr.com/photos/amitai/2657599485/sizes/l/.

Who will be the scape-goats of the coming Jewish Year?

Ariel Weissman's comic page "Who will be the scape-goats of the coming Jewish Year?" (an Udi special), appeared in Hebrew on Sep. 14, 2007. The original Hebrew version may be read online at http://j.nana10.co.il/Article/?ArticleID=513091&TypeID=1&sid=128

An English trabslation may be found at
http://www.flickr.com/photos/amitai/1438845589/sizes/o/.

Lucky Picture by Joanna Karpowicz

A page from the story "Lucky Picture" by Joanna Karpowicz, which will appear in the anthology Izrapol,may be viewed at http://www.flickr.com/photos/amitai/2658423928/sizes/o/.

Saddleback's Illustrated Classics - Merchant of Venice

Saddleback Educational Publishing, having acquired the series of illustrated classics from Pendulum Press in 2007, has set about reprinting these classics in full color. Among these classics is an adaptation of William Shakespeare's The Merchant of Venice.

Hebrew comic - Nikmat mi-Potsetsot ha-Mistik

The 5 pages of the Hebrew comic story Nikmat mi-Potsetsot ha-Mistik illustrated by Dotan Moreno and dated August 2006 may be viewed at Moreno's Flickr page.

The exact addresses are as follows :

http://www.flickr.com/photos/dotanmoreno/436503535/sizes/l/in/set-72157600003262557/
http://www.flickr.com/photos/dotanmoreno/436503547/sizes/l/in/set-72157600003262557/
http://www.flickr.com/photos/dotanmoreno/436503555/sizes/l/in/set-72157600003262557/
http://www.flickr.com/photos/dotanmoreno/436503561/sizes/l/in/set-72157600003262557/
http://www.flickr.com/photos/dotanmoreno/436503569/sizes/l/in/set-72157600003262557/

Shuk - a Hebrew comic story

The 5 pages of the comic story "Shuk", illustrated by Dotan Monero and based upon a story by Simi Berdugo, may be viewed at his Flickr page.

The address for each of the pages follows below :

http://www.flickr.com/photos/dotanmoreno/471135847/sizes/l/in/set-72157600003262557/
http://www.flickr.com/photos/dotanmoreno/471135845/sizes/l/in/set-72157600003262557/
http://www.flickr.com/photos/dotanmoreno/471135833/sizes/l/in/set-72157600003262557/
http://www.flickr.com/photos/dotanmoreno/471135831/sizes/l/in/set-72157600003262557/
http://www.flickr.com/photos/dotanmoreno/471135817/sizes/l/in/set-72157600003262557/

Breaking the Ice #57

John Keating is an actor, stand-up comic, and a cartoonist. Not a very common combination of talents.

In cartoon 57 of his online comic strip Breaking the Ice, John recounts a true-life experience. While auditioning for a part, he was "profiled" as a Jew. When the casting agent realized that he wasn't actually Jewish, he didn't get the part.

Super-Jew? Huh?

"Jesus of Zion" look at the Uri-On comic book and Uri Orbach, who was a roomate of Michael Netzer (the author & illustrator of the Uri On series).

The blog post may be found at http://wwjbwhatwouldjesusblog.blogspot.com/2008/08/super-jew-huh.html.

Super Jewish comic heroes

Australian Jewish News article - July 30, 2008 by Adam Kamien

You may read the full article online at http://www.ajn.com.au/news/news.asp?pgID=5931.


Melbourne comic book devotee and former fanzine (a DIY publication released by a fan) editor Lazarus Dobelsky says for immigrant Jews in the 1930s, “normal” jobs were hard to come by.

“When most of these people started, they struggled to get into the WASP-ish advertising agencies, but they had to earn a living somehow and working on comic books was about as good as they could get at the time,” Dobelsky said.

“It does beggar belief that in the early years, about 70 per cent of the industry was Jewish.

“Jews have a vast treasure trove of legends that are passed on to us by our parents and our culture. Also, it’s undeniable that as a Jew you like to tell stories,” Dobelsky said.

The two Jews responsible for the birth of the comic book were a couple of New York gangsters. Harry Donnenfeld and Jack Liebowitz bought a company that produced pulp magazines, which ran trashy stories about detectives and crime fighters with sensational cover art and comic strips taken from the daily papers.

Drawing together - the first Israeli-Polish comic book

Jerusalem Post article (Jul. 31, 2008) by Asi Gal

The full article is online at http://www.jpost.com/servlet/Satellite?cid=1215331158275&pagename=JPArticle%2FShowFull


If you didn't know, 2008-2009 is Israel-Poland year. One of the many events taking place in this framework is the launching of Polisra, the first Israeli-Polish comic book - to be featured at an exhibition at Holon's Israeli Cartoon Museum and at the Tel Aviv comic books festival. The Polish Mickiewicz Institute, which initiated the book, hopes it will be a channel in creating dialogue on topics considered taboo in the two nations' histories.

On the Polish end of things, the obvious taboo is that period that began in the late 30s - and the never fully resolved questions of complicity with the Nazis.

"Polish people feel a lot of hatred from Israelis visiting Poland," says Amitai Sandy, publisher, art director and editor of the comic book. Sandy, along with four other Israeli comics writers, including Ze'ev Engelmayer and Noa Abarbanel, worked with five Polish comics writers on this joint project.

"When Israelis come to visit the camps, they always have security around them and are not allowed to talk with the Poles." The Poles, he says, "feel that all Israelis view them as anti-Semites."

For their part, he asserts, many Poles "view Israelis as militant extremists who have brought Russians to Israel to use as war machines against Arabs."

Sandy views Polisra as an opportunity to deal with history and the stereotypes connected to it. One story in the book, for instance, portrays a Polish woman who buys a picture of a Jew counting money for her new house. According to Polish tradition, such a picture brings prosperity to a new home. When no such prosperity arrives, the woman complains of the picture's failure to the salesman. The next frame depicts the salesman in his villa, surrounded by such pictures, exclaiming that, "It works for me!"

sketch of One-Punch Goldberg by Evan Dorkin

One Punch Goldberg

Here's a sketch of One-Punch Goldberg drawn by Evan Dorkin for "lantern75", which was found on his Flickr page. Of course, the note below the sketch, saying that it well probably never come out, ended up being wrong. The One-Punch Goldberg story appeared in Biff Bam Pow! #1, which has been reviewed at Kids' Comics, Richard Burton's Fictions, Read About Comics, Playback:STL and Line of Fire.

Comic-Book Idols Rally to Aid a Holocaust Artist

New York Times - Aug. 8, 2008

As all-star comic-book team-ups go, this one beats the first meeting of Superman and Spider-Man. Three of the elder statesmen of comic books — Neal Adams, Joe Kubert and Stan Lee — have joined forces to combat what they see as a real-world injustice.

The men are lending their talents to tell the tale of Dina Gottliebova Babbitt, who survived two years at the Auschwitz concentration camp by painting watercolor portraits for the infamous Nazi Dr. Josef Mengele. Some of the artwork also survived, but it is in the possession of the Auschwitz-Birkenau Memorial and Museum in Poland. Now 85 and living in California, Mrs. Babbitt wants the artwork back, but the museum has steadfastly refused to return it.

“I’m at a total loss,” Mrs. Babbitt wrote in an e-mail message. “I feel just as helpless as I did when I was at camp. Totally disempowered.”

Now Mrs. Babbitt’s story has been captured in a six-page comic-book story illustrated by Mr. Adams, who helped take Batman back to his dark roots after the ’60s television show made him seem campy; inked partly by Mr. Kubert, whose comics career stretches back to the 1940s and who has drawn everyone from Hawkman to Sergeant Rock; and featuring an introduction by Mr. Lee, a co-creator of the Fantastic Four, the X-Men and many other Marvel heroes.

The text was written by Rafael Medoff, director of the David S. Wyman Institute for Holocaust Studies, which has championed Mrs. Babbitt’s cause. Mr. Medoff and Mr. Adams have offered the story to DC Comics and Marvel Entertainment in the hopes of getting it published, but no deal is yet in place.


You may read the whole story online at http://www.nytimes.com/2008/08/09/arts/design/09comi.html

The 6-page comic may be read online at http://graphics8.nytimes.com/images/2008/08/09/arts/Babbitt_pages1-6.pdf (Acrobat format)

Monday, July 28, 2008

The Comix Side of the Association of Jewish Libraries Conference in Cleveland (2008)

My AJL convention / vacation in June went amazingly well.

I had worried that my session would have a low turnout, but that was not the case. The room had about 40 seats and most of those seats were filled throughout the session. I had made 40 copies of the handout, but was asked to make an additional 20 more for a handouts table (they had disappeared by the end of the convention).

I ran into people who said that they were interested in my "Israel in Comics" presentation, but were unable to attend. I told them about how the session was recorded for a podcast file which will be available online later this year (I'll announce it with the address once I find out). I also told people the website address for the presentation blog - http://israelincomics.blogspot.com.

Miriam Libicki read from her graphic works (with the graphics displayed on a screen as she read) "Towards a Hot Jew: The Israeli Soldier as Fetish Object", The jobnik! Manifesto, and an as-yet-unpublished essay which will appear in an anthology titled The Jewish Graphic Novel: Critical Approaches.

I bought the jobnik! volume 1 trade paperback, Ceasefire and Towards a Hot Jew, which all got signed by Miriam.

Among the factoids I learned at Steve Sheinkin's panel were : Steve had to rewrite & redraw a story in which Rabbi Harvey would have "accidentally" rolled up a paper that would have condemned him to death and used it to make a cigarette which he then smoked (the book editor didn't think a role model like Rabbi Harvey should be shown smoking) ; Steve has used Rabbi Harvey to explain Jewish wedding customs for a pamphlet given out at a friend's wedding ; Steve has written & illustrated a book review of The Rabbi's Cat 2 for Jbooks in a comix format using Rabbi Harvey as the reviewer.

Steve signed one of my Rabbi Harvey books (the other one was already signed) and also drew a Rabbi Harvey sketch for me.

I bought a copy of Mendel's Daughter : A Memoir and got Martin Lemelman to sign it for me.

At Bill Rubin's session (which was part of the special Celebration of Jewish Children's Literature program), he gave insight into the creation of the award-winning graphic history book Homeland : The Illusterated History of the State of Israel, such as the decision to use a modestly-dressed female university professor as the narrator of the book, the attempt to try to provide rock-solid historical accuracy to avoid criticism from both sides of the political spectrum, the intentional blurring of the depiction of the Biblical Isaac (to avoid reader dissatisfaction about Isaac's age, since that is a subject under debate among Biblical scholars) and Marv Wolfman's insistence on the double-page spread that appears at the end of the book. Truth to tell, that was one of the parts of the book that disappointed me. As Bill exsplained, Marv felt that the book should show how the ghosts of Herzl and Moses are still with us in the present. I do understand that, but personally I felt that it was already implied by the way that Moses and Herzl both saw blurry visions of the same Tel Aviv "skyline of the future" which appears in crystal-clear color as the students of today are looking at it. I agree with the sentiment, but felt that the reader should have realized that the spirits of our ancestors are still with us, by making the connection on their own and that having Moses and Herzl drawn as ghosts kind of spolied it.

At the Jewish Publication Society table, I had a chance to peruse the galley for Arie Kaplan's forthcoming book From Krakow to Krypton : Jews and Comics. At the Ben Yehuda Press table, I learned that the Yudelsons (the co-publishing couple at BYP) were interested in the work of Aaron Freeman & Sharon Rosenzweig (who co-write the comics that appear on the Comic Torah website).

Among the tourist attractions and other places we visited, there were additional opportunities to see comics art - some intentional, some not so much.

We made certain to drive to Columbus so that we could visit the Cartoon Research Library at Ohio State University. I had a chance to look at original artwork from Jeff Smith, creator of the epic Bone series currently being republished in color by Scholastic. The exhibition "Jeff Smith : Before Bone" displays pages from the comic strip "Thorn", which ran in the Ohio State University student newspaper The Lantern. I hadn't realized that Smith was a student at OSU nor known that he used Thorn to flesh out the characters who would later figure prominently in his Bone series. I also took a look at 2 Jewish cartoon books by Joe Nebesky that were in the collection : Ring around the Talis and Rabbi Knows Best.

One of the special exhibits at the Rock & Roll Hall of Fame and Museum was a look behind the scenes of the Beatles movie Help!. Among the photos on the walls were at least 2 which showed that Paul McCartney enjoyed reading American comic books, specifically Superman's Pal Jimmy Olsen. I had never even known there were such photos ... but someone else apparently knew about them and posted them on his blog.

At the Eton mall in Woodmere, I couldn't help stepping inside the Dick Kleinman Fine Art Gallery, the portraits of the current US presidential candidates having captured my attention. At the back of the gallery, there was a display of artwork by the great children's author and illustrator Dr. Seuss. Among the familiar illustrations which went into his classic picture books were illustrations and sculptures I'd never seen before - self-portraits, a bronze sculpture of a group of turtles standing one on top of the other in a tower formation and 3-dimensional pieces from Seusss's "collection of unorthodox tapestry". If you're in that area, I reccommend that you take a look for yourself.

Thursday, July 24, 2008

Israel in Comics - the blog

At the AJL convention in Cleveland last month, a Powerpoint presentation on the portrayal of Israel & Israelis in comic books, comic strips, and graphic novels was given.

A podcast of the session will be available via the AJL website at http://www.jewishlibraries.org

Tonight, I put the finishing touches on the official presentation blog for "From Tintin to Waltz with Bashir", which may be found at http://israelincomics.blogspot.com

Even if you were among the 30-something people who attended the session, you'll probably want to take a look at the blog. Not only will doing so enable you to take a second look at the all of the scans I showed, but you will be able to see dozens of additional ones which time didn't permit me to share.

The blog is arranged into 11 sections for those who don't want to read it all at once (and the downloading of the images is quicker).

To see the full-size scan of any image, simply click on that image (a hyperlink will take you to the image file).

the 11 sections :

Introduction
1930s
1940s
1950s
1960s
1970s
1980s
1990s
2000s
Works Not Yet Published (as of June 2008)
Bibliography of Articles

additional features :

* hyperlinks to selected webcomics

* promotional videos

* hyperlinks to selected fulltext magazine, journal, & newspaper articles

* description of each of the scans, sometimes with additional commentary

* hyperlinks to reputable online vendor sites that sell the items under discussion

* hyperlinks to cartoonist bios and websites

Your feedback (positive or negative) is welcome and appreciated.

Enjoy!

Sunday, July 20, 2008

50 Jewish Reasons to Attend Comic-Con International in San Diego

Tomorrow night will be the preview night for one of the biggest comics events of the year - San Digeo Comic Con International aka SDCCI.

As I try to do every year, I've made a list of "Jewish" people and sessions that atand out from the less "Jewish" ones.

(1) Sergio Aragones (who illustrated the "Fanny Hillman : Jewish Madam" books and adapted the Jonah story for Testament)

(2) Antarctic Press (publisher of Families of Altered Wars [which included the "Stars of David" storyline] and Dictators of the Twentieth Century : Hitler #1-4)

(3) Arsenic Lullaby (issue #12 contains "Pilsbury Doughboy at Auschwitz"")

(4) Kyle Baker (Eisner-winning author-illustrator of the King David graphic novel from Vertigo, as well as a funny 1-page cartoon in his Kyle Baker : Cartoonist TPB in which a Jewish Cinderella has a mishap under the chuppah)

(5) Mike W. Barr (author of the story "Sympathy for the Führer!" (Adventures of the Outsiders #35)

(6) Howard Chaykin (author-illustrator of American Flagg, as well as Batman / Houdini : The Devil's Workshop)

(7) Aron Coleite (author of the online Heroes stories "Wireless", "The Path of the Righteous", and "The Death of Hana Gitelman", all featuring Israeli character Hana 'Wireless' Gitelman and all reprinted in the Eisner-nominated Heroes volume 1)

(8) Peter David (who infamously used the names of seder plate items for aliens in a Star Trek novel and who wrote the stories for The Incredible Hulk #386-387 ; see
http://www.leaderslair.com/noexcuses/hulk2-386.html and http://www.leaderslair.com/noexcuses/hulk2-387.html)

(9) Tony Dezuniga (illustrator of the stories "Black Crossing" and "There Comes Now Raging Fire" in Strange Tales #176 & #177)

(10) Colleen Doran (illustrator of a one-page illustration in The Death Gallery, in which Death is at a concentration camp

(11) Mark Evanier (author of a Crossfire story for a Free Comic Book Day comic involving a Holocaust survivor who tries to kill a suspected Nazi war criminal)

(12) Al Feldstein (author of "Master Race"Impact #1)

(13) Danny Fingeroth (author of Disguised as Clark Kent : Jews, Comics and the Creation of the Superhero

(14) Robert Loren Fleming (co-author of the Ragman miniseries)

(15) Keith Giffen (illustrator and co-author of the Ragman miniseries and author-illustrator of the Heckler series which introduced the characters Rabbi Zone and Dreidel)

(16) Mike Gold, editor

(17) Mike Grell (author-illustrator of Green Arrow #57-58 and Jon Sable : Freelance #22-24)

(18) Pia Guerra (one of the illustrators of the Eisner-nominated Y: The Last Man)

(19) Jaime Hernandez (co-author of the graphic novel Love & Rockets X)

(20) Al Jaffee (one of the cartoonists featured in the online article "Jews and the Graphic Novel")

(21) Phil Jimenez (illustrator of Wonder Woman: Donna Troy #1 and the Heroes online comic " Wireless Part One)

(22) Arie Kaplan (author of From Krakow to Krypton: Jews and Comic Books, who will be signing copies of his Speed Racer comic book at the IDW Publishing booth (#1705) on Thursday July 24th from 4-5 PM)

(23) Neil Kleid (author of the graphic novel Brownsville, as well as the forthcoming Migdal David and The Big Khan)

(24) Peter Kuper (author-illustrator of the short biographical story "Promised Land"(Bleeding Heart #2), as well as the book-length autobiographical Stop Forgetting to Remember : The Autobiography of Walter Kurtz)

(25) Scott Kurtz (author-illustrator of PVP, the Eisner-award-winning online comic strip which in 2006 made a joke about the Superman Returns movie being "a Jewish conspiracy to convince Christians that Jesus was gay")

(26) Stan Lee (Jewish comics legend who co-created the Fantastic Four, which has a Jewish chartacter called The Thing and who appeared in the story "What if the Original Marvel Bullpen was the Fantastic Four?" in What If? #11)

(27) Paul Levitz (author of "Tradition" in DC Comics' 9-11 September 11th 2001)

(28) Miriam Libicki (author of the jobnik! series, the first volume of which has been collected in trade paperback)

(29) Rob Liefeld (illustrator of stories in the Youngblood series, which included the Israeli superheroine Masada)

(30) Rutu Modan (author-illustrator of the Eisner-nominated graphic novel Exit Wounds)

(31) Steve Niles (author of the golem story Criminal Macabre: Feat of Clay)

(32) Jim Ottaviani (author of Wire Mothers: Harry Harlow and the Science of Love and Fallout : J. Robert Oppenheimer, Leo Szilard, and the Political Science of the Atomic Bomb)

(33) Jimmy Palmiotti (co-creator of the short-lived golem series The Monolith from DC Comics)

(34) Jerry Robinson (Batman series artist who also did illustrations for Bible Tales for Young Folk)

(35) Jon Rosenberg (author-illustrator of the webcomic Goats), which includes the Jewish character "Jon", as seen in the strip from Nov. 24, 2005)

(36) Steve Rude (author of many Nexus stories ; one of the main characters in Nexus is Judah Maccabee aka "The Hammer")

(37) Ariel Schrag (editor of Stuck in the Middle)

(38) Gail Simone (who wrote the story "Li'l Krusty in Give a Hoot, Stay in School" in Simpsons #62)

(39) J. Michael Straczynski (author of the Spider-Man story "You Want Pants with That?" and the Rising Stars story "Selah")

(40) James Sturm (author-illustrator of The Golem's Mighty Swing, reprinted in the Eisner-nominated God, Gold, and Golems)

(41) Roy Thomas (who had the Thing battle the Golem in Marvel Two-in-One #11 and introduced Jewish superheroes Nuklon {Infinity Inc. / JLA} and Golem {The Invaders})

(42) Jim Warren (publisher behiod Warren Publishing, whose titles included After Hours, Creepy, Eerie, Famous Monsters and Vampirella)

(43) Len Wein (writer of the golem story in Strange
Tales
#174 - see http://www.marvunapp.com/Appendix/golem1.htm)

(44) Judd Winick (author-illustrator of Pedro and Me and Caper #1-4)

(45) G. Willow Wilson (author of the graphic novel Cairo)

(46) Marv Wolfman (author of The Tomb of Dracula #27, The New Teen Titans #24 and Homeland : The Illustrated History of the State of Israel)

(47) session - Comics Arts Conference Session #4 (Thurs., July 24th, 2:00-3:30 PM) Superman’s 70th Anniversary— Price Hamilton (American Falls High School) compares three different versions of the Superman origin story and three versions of the Jewish folk tale "The Golem of Prague" to demonstrate how certain images begin to appropriate larger meanings through their consistent repetition.

(48) session - screening of Will Eisner: Portrait of a Sequential Artist (Thurs., July 24th, 7:00-9:00 PM)

(49) session - Will Eisner Tribute (Sat., July 26th, 1:00-2:00 PM)

(50) session - Jack Kirby Tribute (Sun., July 27th, 10:00-11:00 AM)

Thursday, July 17, 2008

David Gantz, Jewish Cartoonist, 1922-2007

David Gantz, author-illustrator of the book Jews in America : A Cartoon History and the online article "Jews and the Graphic Novel" passed away on Dec. 14th.

Blogger Mike Lynch gave a tribute to him at http://mikelynchcartoons.blogspot.com/2007/12/david-gantz-1922-2007.html
.

Monday, June 23, 2008

People of the (Comic) Book - article by librarian Wendy Wasman

Jewish Book World v.26(2) Summer 2008, p. 26-29.

This is just part 1 of a 2-part article.

Among the works mentioned in this article are : Palestine, Disguised as Clark Kent, Up, Up, and Oy Vey!, Jews in America : A Cartoon History, Maus, A Contract with God, I Was a Child of Holocaust Survivors, We Are On Our Own, Mendel's Daughter, Yossel : April 19, 1943, Jew Gangster and Brownsville.

Among the works that will be mentioned in part 2 will be Miriam Libicki's jobnik!.

Sunday, June 08, 2008

Lauren Weinstein at MOCCA Fest 2008 - TODAY!!!

Due to Lauren Weinstein's last-minute e-blast message about her scheduled appearances at MOCCA (Museum of Comic & Cartoon Art) Fest this weekend - and due to my own busy schedule this weekend - I was unable to post about this until now. Lauren is the author-illustrator of the anthology Girl Stories, which includes the story "Chanukah Blues" and writer-illustrator of the story "Horse Camp" which appeared in the anthology Stuck in the Middle).


I'll paste the relevant parts of her message below.


The Goddess of War: Volume One, the first installment of my sprawling epic masterpiece, will debut at the MOCCA art festival this weekend!

For anyone who is used to my memoir-ey work, this is a HUGE departure, but don't be afraid. IT will knock your socks off, because it is funny, sexy, romantic, and sad and poignant, but also epic and sci-fi and all about the world's wars... PAST AND FUTURE!

Picturebox signing schedule for Sunday (today) :

11-12: Frank Santoro & Lauren Weinstein
12-2: Michel Gondry, Paul Gondry, Lauren Weinstein
2-3: Frank Santoro, Matthew Thurber, Lauren Weinstein
3-5: Michel Gondry, Paul Gondry, Matthew Thurber

Sunday, June 01, 2008

Jewish Side of MOCCA Fest 2008 - June 7th & 8th

Next weekend, the annual MOCCA (Museum of Comic & Cartoon Art) Festival will take place at the Puck Building in Lower Manhattan (in New York).

The most well-known of the Jewish guests at this year's MOCCA Festival is, without a doubt, Art Spiegelman, author-illustrator of the Pulitzer-prize-winning Holocaust memoir Maus (although he had done plenty of work prior to that and has been busy since then creating new works & giving lectures).

Other guests of interest to readers of this blog, in no particular order (well, alphabetical order, actually), include :

* Willow Dawson, a talented Canadian artist, who has illustrated the upcoming anthology No Girls Allowed : Tales of Daring Women Dressed as Men for Love, Freedom and Adventure, written by Susan Hughes & to be published by Kids Can Press. The anthology includes the story of Esther Brandeau, the first Jewish person to immigrate to Canada.

* Evan Dorkin & his wife Sarah Dyer, the couple responsible for the story "One-Punch Goldberg" in Biff Bam Pow! #1, as well as the one-page comic "How to Cook a Gentile" (Heeb #15)

* Arie Kaplan, author of the forthcoming book From Krakow to Krypton: Jews and Comic Books, who was interviewed by Wizard Magazine last month

* Neil Kleid, author of the graphic novel Brownsville, as well as the forthcoming Migdal David and The Big Khan

* Miriam Libicki, author of the jobnik! series, the first volume of which has been collected in trade paperback

* Chari Pere, author-illustrator of the Jewish humor calendar "A Yearly Shpritz of Jewish Bits: The Ultimate Illustrated Calendar of Jewish Jokes (Old and New)"

Monday, May 19, 2008

Miriam Libicki and Ariel Schrag at the JCCSF - tomorrow (May 20th)

There's an article in the May 9th issue of j - the Jewish news weekly of Northern California - "Comic expressions", reproduced online at http://www.jewishsf.com/content/2-0-/module/displaystory/story_id/35208/format/html/displaystory.html, which gives the background of Miriam Libicki (author-illustrator of the comic book series jobnik!) and Ariel Schrag (editor of the anthology Stuck in the Middle, which contains one of her stories, "Shit"). Schrag and Libicki will be speaking tomorrow night at Intersection for the Arts as part of the Jewish Community Center of San Francisco’s "Serial Boxes" series, an exploration of the graphic novel.

Sunday, April 27, 2008

sketch of Steven M. Bergson

Last year, while attending an exhibition of artwork by Tatiana Yuditskaya and Eugene Zhilinsky, Steven M. Bergson was sketched by Eugene.

The sketch - and commentary in Russian - may be viewed at the Éditions Tchaï blog. To see a larger image, click on the first graphic (top-left).

Tuesday, April 22, 2008

Association of Jewish Libraries conference (June 2008) in Cleveland

The tentative schedule for the annual Association of Jewish Libraries conference in Cleveland, Ohio may be found at the AJL website (Acrobat format). This year's convention will be held from June 22nd to the 25th.

Per diem registration for Monday or Tuesday (which includes all of the day's sessions, as well as that day's breakfast & lunch) is $200 USD. Registration for the post-conference program on Wednesday (which includes breakfast, the luncheon & the dessert reception) is $75 USD. The registration form may also be found on the AJL website (Acrobat format).

4 sessions at the conference should be of interest to readers of this blog.

Session 2A - Mon., June 23rd, 10:30-11:45 AM, Salon IV
Jewish Wit and Wisdom
"From Jewish Wisdom to Jewish Comics" by Steve Sheinkin, author-illustrator of the graphic novels The Adventures of Rabbi Harvey and Rabbi Harvey Rides Again

Session 2C - Mon., June 23rd, 10:30-11:45 AM, Salon V
Speak Memory
"Mendel's Daughter : The Art of Remembering", Martin Lemelman, author-illustrator of Mendel's Daughter : A Memoir

Session 3D - Mon., June 23rd, 2:00-3:15 PM, Salon VI
Yikes! Pow! Zap! Oy! Israel Graphically
"From Tintin to Migdal David : Representations of Israel and Israelis in Comic Books, Comic Strips, and Graphic Novels", Steven M. Bergson, blogmaster of The Jewish Comics Blog
"Tales of a Tank Secretary : IDF Comix with a Twist", Miriam Libicki, author-illustrator of jobnik! : an american girl's adventures in the israeli army

Post-Conference Program, Session 2A, 2:00-3:15 PM, Salon V & Salon VI
Illustrated Non-Fiction with Christos Nicola & Peter Lane (the author & illustrator of The Secret of Priest’s Grotto: A Holocaust Survival Story), Deborah Heiligman (author of 10 books in the Holidays Around the World series), and Bill Rubin (Executive Editor of Nachshon Press, publisher of the graphic history book Homeland : The Illustrated History of the State of Israel

The Political Graphic Novel - Toronto, June 8th

On Sunday, June 8th at 7:00 PM, 4 comics professionals will take part in a program on political graphic novels at the Miles Nadal Jewish Community Centre as part of the annual Luminato Festival of Arts & Creativity. Hosted by Peter Birkemoe, owner of The Beguiling, Toronto's top graphic novel and comics bookstore.

The professionals are :

* Anthony Lappé - author of The Shooting War

* Dan Goldman - illustrator of The Shooting War

* Bernice Eisenstein - author-artist of the illustrated autobiography I Was a Child of Holocaust Survivors

* Spain Rodriguez - illustrator of Che: A Graphic Biography, as well as "Raid on Entebbe" (The New Two-Fisted Tales #1, 1993).

Tickets are $10 CDN and may be purchased via the Luminato website.

This program is presented with support from The British Council.

Monday, April 21, 2008

Toronto Jewish Film Festival screenings

This year, the Toronto Jewish Film Festival has included 2 movies in its lineup which should be of interest to readers of this blog.

On Thursday, May 8th at 10 PM, the Bloor Cinema will be showing the documentary Will Eisner : Portrait of a Sequential Artist. To watch a trailer of the film, go to http://montillapictures.com/media/trailer.mpg (MPG format) or http://montillapictures.com/media/trailer_264.mov (MOV format).

On Saturday, May 10th at 11:30 PM, the Bloor Cinema will be showing Wristcutters, the adaptation of the Etgar Keret graphic novel Pizzeria Kamikaze.

If you're unfamiliar with the work of Will Eisner or the graphic novel Pizzeria Kamikaze and want to familiarize yourself with them before (or after) seeing the films, I would recommend that you drop by my favorite comics shop, The Beguiling. It's a short walking distance from the Bloor Cinema, so you can buy some graphic novels to have something cool to read while waiting in line. In addition to books by Will Eisner, The Beguiling should have books about Will Eisner, e.g. Will Eisner : A Spirited Life.

Drafted - FCBD preview (Devil's Due Publishing)

Among this year's Free Comic Book Day offerings (available at participating comic books shops on Saturday, May 3rd) will be Drafted from Devil's Due Publishing.

As described on the FCBD website,


Jerusalem lies in ruins, and the war humanity must fight in the wake of its destruction is like nothing anyone on Earth could have anticipated. When an alien race begins plucking swarms of people from everyday walks of life, they are told to brace themselves to fight in a battle to decide the fate of Earth.


Two of the characters shown on the first pages of the preview are Ben (an Israeli soldier) and Nasr (his Palestinian friend). You can see a free preview of the 1st 3 pages of the free comic book by going to http://www.freecomicbookday.com/download/3p_samples/Devils_Due-FCBD08sample.pdf.

The New Narrative? Comics in Literature, Film, and Art - Toronto conference

The FREE conference will take place at University of Toronto on May 10th and 11th.

Full program schedule (including room assignments) may be found at http://www.andrewlesk.com/program.rtf (richtext format).

It looks like there are only 2 rooms being used simultaneously, which means an attendee will only miss half of the total sessions. The percentage is a lot lower at other conferences where there are several concurrent sessions.

Of possible interest to readers of this blog are 2 presentations that are part of Panel 3B (Endings 2) on Sunday, May 11th in Room UC 179 (2 – 3:15 PM)

Anthony Enns - “Media, Memory, and the Metropolis in Jason Lutes’ Berlin: City of Stones

Amir Hussain - “Representing Muslim Lives: Pedagogy and the Comics Journalism of Joe Sacco”

Tuesday, April 15, 2008

Hereville : How Mirka Got Her Sword - available May 2008

I have to admit that I haven't had the time yet to sit and read through the first Hereville story, "How Mirka Got Her Sword". However, I have looked at several pages and have been impressed with what I've seen : a strong-willed Orthodox Jewish girl as the main character, a Sabbath evening scene, a Havdallah scene (Havdallah is the ritual done at the end of the Jewish Sabbath), the intricate knitting scenes using double-page spreads. If nothing else, there is a sense of originality in its concept - when's the last time anyone's seen a comic story involving a troll-hunting Jewish girl? I think Hereville has the first.

When I posted to my Jewish comics forum (at Yahoo) about the webcomic (message #698), it was hosted at Girlamatic. Now, cartoonist Barry Deutch has gotten Hereville its own domain name to display his sample pages at : www.hereville.com.

For those who prefer reading their comics on dead trees, there's great news. Hereveille : How Mirka Got Her Sword will be published as a trade paperback next month!

Although I haven't read much of the story, at least 6 others have --- and those 6 have written reviews or made comments.

Below are excerpts from those readers :

Mary Ellen Slayter - "A Shrinking Drawing Board for Cartoonists" The Washington Post, Dec. 12,2004


What do you get when you cross "Buffy the Vampire Slayer" and Isaac Bashevis Singer?

You get cartoonist Barry Deutsch's latest project, an online comic book called Hereville, about "the magical adventures of a 12-year-old Hasidic girl fighting monsters."

...

Deutsch has taken numerous college-level art classes, including a few at the School of Visual Arts in New York, where he studied with Will Eisner, "one of the greatest cartoonists of all time."


The Webcomics Examiner Advisory Board (upon Hereville being chosen as one of the Best Webcomics of 2004)

The story is leisurely and steeped in cultural tradition; even troll killing must wait until after Shabbot rituals. Smart, yet heartwarming, quiet, yet with a genuine sense of adventure.


Deniselle at A Blog About Comics :

exceptionally beautiful visuals. The drawings are detailed and seem like a lot of work has gone into getting things right. It's the confident work of a professional artist. The division of panels is deliciously non-traditional.

...


The dialogue caught my interest right away. We're thrown right in the middle of a philosophical debate in the first few panels. Do we have free will or does God just make our lives difficult? In another early strip, we're invited to ponder on the ethics of eating animals vs. slaying dragons.


Eric Lindberg of Broken Frontier

a fascinating and, at turns, educational read.

...

an interesting comic with a unique cultural identity. It’s worth a look for fans of fantasy or for anyone who feels there is no new territory to explore in the genre.


Ragtime at Comic Book Thoughts

Here, Here for Hereville

...

I will definitely be buying a copy of Barry Deutsch's Hereville.


Samuel John Klein Portlandiensis of The ZehnKatzen Times

It's glorious, deep, clever, and intelligent; finally, a take on the hero's tale which doesn't look like it was cribbed straight outta G.I. Joseph Campbell. Mirka won me over from the start.


If you'll be in the Portland area on April 26th or 27th, you can drop by the Stumptown Comics Fest, where Barry Deutsch himself will be on hand at an exhibitor booth to talk to you and sign your copies of Hereville. Don't have a copy? No problem! You can buy them at his booth.


40 Reasons to Attend New York Comicon in 2008 ...

... and 1 reason not to. It's amazing (& astonishing & shocking --- and all those other cool adjectives they threw onto the covers on Silver Age comics to try to get our attention) to me that there are more "Jewish" reasons to attend NYCC this year than there were last year.

(1) Session discussing Jews and superheroes in general and in particular the book Disguised as Clark Kent : Jews, Comics and the Creation of the Superhero, written by

(2) Danny Fingeroth (who will be in attendance), moderated by

(3) Arie Kaplan, author of the forthcoming book From Krakow to Krypton: A History of Jews in Comics

(4) A confidential source has it on good authority to believe that legendary Batman series artist Jerry Robinson (who also did illustrations for Bible Tales for Young Folk) will be in attedance.

(5) Session discussing the book Our Gods Wear Spandex : The Secret History of Comic Book Heroes - a book whose sections include People of the Book (chapter 4) ; Harry Houdini (chapter 8) ; Founding Fathers: Harry Donenfeld and Martin Goodman (chapter 12) ; Chapter 16. The Golems ; Jack Kirby (chapter 20) ; Neil Gaiman (chapter 20)

(6) The above session will feature the book's author, Christopher Knowles ; the aforementioned Danny Fingeroth ;

(7) Douglas Rushkoff (writer of the Testament series from Vertigo) ;

and (8) A. David Lewis (co-organizer of the recent "Graven Images" conference and author of The Lone and Level Sands, a graphic novel adaptation of the story of Exodus).

(9) tribute to Joe Kubert, who will be in attence at NYCC

(10) tribute to Will Eisner

(11) tribute to Steve Gerber (author of "A Monster Reborn" in Monsters Unleashed #4)

(12) A tribute to Jack "King" Kirby and discussion of the book Kirby : King of Comics with

(13) the book's author Mark Evanier (who also wrote a Crossfire story for a Free Comic Book Day comic involving a Holocaust survivor who tries to kill a suspected Nazi war criminal)

(14) Neal Adams (illustrator of "The Ventures of Zimmerman" [parody of Bob Dylan] and "Son O' God", which both appeared in the pages of National Lampoon)

(15) Dick Ayers (illustrator of "Lonely Are the Brave" in Combat Kelly and the Deadly Dozen #2, in which the titular heroes liberate a concentration camp)

(16) Kyle Baker author-illustrator of the King David graphic novel from Vertigo, as well as a funny 1-page cartoon in his Kyle Baker : Cartoonist TPB in which a Jewish Cinderella has a mishap under the chuppah)

(17) Nick Bertozzi (illustrator of Houdini : The Handcuff King)

(18) Jon Bogdanove (author-illustrator of issues of a Superman storyline in which Superman went to the Warsaw Ghetto)

(19) Peter David (who infamously used the names of seder plate items for aliens in a Star Trek novel and who wrote the stories for The Incredible Hulk #386-387 ; see
http://www.leaderslair.com/noexcuses/hulk2-386.html and http://www.leaderslair.com/noexcuses/hulk2-387.html)

(20) Garth Ennis (author of the limited series Unknown Soldier, in which the title character, in a flashback to WWII, is shown massacring Nazi guards at Dachau)

(21) Gary Friedrich (author of "Lonely Are the Brave" in Combat Kelly and the Deadly Dozen #2, in which the titular heroes liberate a concentration camp)

(22) Neil Gaiman (Jewish author who contributed to the anthology Outrageous Tales of the Old Testament and who both retold a midrash on Adam's 2nd wife and had a Jewish musician meet Death in the pages of his Sandman series)

(23) Keith Giffen (author of the Ragman miniseries that reintroduced the title character as a Jewish superhero and also creator of the characters Dreidel and Rabbi Zone, who both appeared in the pages of the last issue of the series The Heckler)

(24) Dan Goldman (author-illustrator of a short piece titled "Schmear", which he describes as "Jewish porn", since it takes place in the backroom of a Brooklyn bagel shop. The story appeared in Smut Peddler #2). In all fairness, Dan's done other - & better-known - stories (e.g. Shooting War) but "Schmear" is the only "Jewish" work of his that I've seen.

(25) Justin Gray (co-creator of The Monolith series)

(26) Dean Haspiel (illustrator of many Harvey Pekar stories, including his graphic novels The Quitter and Ego & Hubris : The Michael Malice Story)

(27) Phil Jiminez (illustrator of a Heroes online comic featuring an Israeli Mossad agent named Hana Gitelman)

(28) Alisa Kwitney (writer on the Vertigo series Token. Set in Miami Beach in the 1980s, Token tells the story of Shira, a sheltered young Jewish girl, who finds herself rebelling against her family and falling for Rafael, a boy who knows how to make acting bad feel way too good.

(29) Stan "The Man" Lee (Jewish co-creator of classic Marvel characters & series, such as Spider-Man, the Hulk, the X-Men and the Fantastic Four)

(30) Rob Liefeld (illustrator of stories in the Youngblood series, which included the Israeli superheroine Masada)

(31) Steve Niles (author of the golem story Criminal Macabre: Feat of Clay)

(32) Jerry Ordway (illustrator of an issue of Superman in which he went to the Warsaw Ghetto, as well as an All-Star Squadron story in which Steel ended up in a Nazi death camp)

(33) Jimmy Palmiotti (co-creator of the short-lived golem series The Monolith from DC Comics)

(34) M. K. Perker (illustrator of the Vertigo graphic novel Cairo. Set in bustling modern-day Cairo, this magical-realism thriller interweaves the lives of a drug runner, a down-on-his-luck journalist, an American expatriate, a young activist, an Israeli soldier, and a genie as they navigate the city's streets and spiritual underworld to find a stolen hooka sought by a wrathful gangster-magician.)

(35) Josef Rubinstein (an illustrator of the 2nd Mendy & the Golem series and contributor to both Journeys : The Collected Edition and Balm in Gilead)

(36) Steve Rude (author of many Nexus stories ; one of the main characters in Nexus is Judah Maccabee aka "The Hammer")

(37) Gail Simone (who wrote the story "Li'l Krusty in Give a Hoot, Stay in School" in Simpsons #62)

(38) Louise Simonson (co-author of issues of a Superman storyline in which Superman went to the Warsaw Ghetto)

(39) Len Wein (writer of the golem story in Strange
Tales #174 - see http://www.marvunapp.com/Appendix/golem1.htm)

(40) G. Willow Wilson (author of the Vertigo graphic novel Cairo.)

Mysteries of the Alef Beit

Mysteries of the Alef-Beit - Kabbalistic Secrets of the Hebrew Alpha Bet

Lavishly presented in comic style with detailed insights and depths. Perfect
for the beginner or the practiced Mage.

Complete with:
How to properly Scribe the letters
Gematrias
Kabbalistic insights
Many hidden secrets of the letters that formed the basis of all languages

Mysteries of the Alef-Bet

Available now in English and Hebrew Editions from Mahrwood Press.

Monday, April 14, 2008

Happy Passover from Terry & Patty LaBan!

It's that time of year again!

Time to eat matzoh, drink the 4 cups of wine, laugh at the annual week of Edge City comic strips and ... ummm ... attend New York Comic Con???!!!

About that last part, if you didn't read my earlier post about how NYCC coincides with Passover this year, you can click on the following link and read it (& then y'all come right back, now, y'hear?) :
http://jewishcomics.blogspot.com/2008/02/1-jewish-reason-not-to-attend-new-york.html

More about NYCC (Jewish guests & panels) in a separate post that will be finished tomorrow night, G-d willing.

So, now you may be wondering about the references to Terry (& Patty) LaBan and to their cartoon strip, Edge City.

Every year, the LaBans celebrate the holiday by both celebrating it in their home and by collectively sharing it with their readers by giveing us 2 weeks of Passover cartoons. Since his comic strip is available via the Internet, you needn't miss out just because your local newspaper editor used poor judgement in not adding Edge City to their comics page.

If you missed last year's Passover cartoons, fret not. I'm providing the links for them below :



http://www.chron.com/apps/comics/showComick.mpl?date=20070322&name=Edge_City


http://www.chron.com/apps/comics/showComick.mpl?date=20070323&name=Edge_City


http://www.chron.com/apps/comics/showComick.mpl?date=20070324&name=Edge_City


http://www.chron.com/apps/comics/showComick.mpl?date=20070326&name=Edge_City


http://www.chron.com/apps/comics/showComick.mpl?date=20070327&name=Edge_City


http://www.chron.com/apps/comics/showComick.mpl?date=20070328&name=Edge_City


http://www.chron.com/apps/comics/showComick.mpl?date=20070329&name=Edge_City


http://www.chron.com/apps/comics/showComick.mpl?date=20070330&name=Edge_City


http://www.chron.com/apps/comics/showComick.mpl?date=20070331&name=Edge_City


http://www.chron.com/apps/comics/showComick.mpl?date=20070401&name=Edge_City


http://www.chron.com/apps/comics/showComick.mpl?date=20070402&name=Edge_City


http://www.chron.com/apps/comics/showComick.mpl?date=20070403&name=Edge_City


http://www.chron.com/apps/comics/showComick.mpl?date=20070404&name=Edge_City


As of this writing, only the first Passover cartoon of 2008 has been published at the Chronicle website, but there should be one every day for the next 2 weeks. Therefore, in 2 weeks' time, all of the following links should be valid and should each show a Passover cartoon (although sometimes the Sunday one is not a Holiday cartoon) :


http://www.chron.com/apps/comics/showComick.mpl?date=20080414&name=Edge_City


http://www.chron.com/apps/comics/showComick.mpl?date=20080415&name=Edge_City


http://www.chron.com/apps/comics/showComick.mpl?date=20080416&name=Edge_City


http://www.chron.com/apps/comics/showComick.mpl?date=20080417&name=Edge_City


http://www.chron.com/apps/comics/showComick.mpl?date=20080418&name=Edge_City


http://www.chron.com/apps/comics/showComick.mpl?date=20080419&name=Edge_City


http://www.chron.com/apps/comics/showComick.mpl?date=20080420&name=Edge_City


http://www.chron.com/apps/comics/showComick.mpl?date=20080421&name=Edge_City


http://www.chron.com/apps/comics/showComick.mpl?date=20080422&name=Edge_City


http://www.chron.com/apps/comics/showComick.mpl?date=20080423&name=Edge_City


http://www.chron.com/apps/comics/showComick.mpl?date=20080424&name=Edge_City


http://www.chron.com/apps/comics/showComick.mpl?date=20080425&name=Edge_City


http://www.chron.com/apps/comics/showComick.mpl?date=20080426&name=Edge_City


http://www.chron.com/apps/comics/showComick.mpl?date=20080427&name=Edge_City


Enjoy!

Tuesday, April 08, 2008

Bob Andelman (Mr. Media) Jewish comix interviews

Tomorrow, (Wed., April 9th at 1:00 PM EST), Bob Andelman's guest will be Arie Kaplan, author of the "King of Comics" series which appeared in Reform Judaism magazine, author of the "Dave Danger" comics (which also appeared in Reform Judaism magazine), author of "What if Chris Rock Performed at a Bar Mitzvah?" (Mad Magazine #419) and author of the book From Krakow to Krypton : The History of Jews in Comics, forthcoming from the Jewish Publication Society.

You may read the Introduction to the latter book at the Yavnet website.

If Arie were the blogmaster here, he'd also want to add that he's the writer of the Speed Racer : Chronicles of the Racer miniseries, issue 4 of which should be available soon. However, Arie isn't the blogmaster here. I am. Let him get his own darned blog. They're free, ya know.

If your boss won't let you take a break to listen to the show live at 1 (and what sort of meanie he must be, eh?), don't fret too much. Bob has kindly taken it upon himself to make past shows available in 2 ways :

(1) He records the podcast and allows people to listen to the recorded shows on his website ;

(2) He transcribes most of the show for those who'd prefer to skim the best parts rather than listen through the whole thing. I suppose it's also helpful for the hearing impaired.

Having visited Bob's website earlier today, I discovered that Mr. Media has recorded several other interviews which are of interest to those who like to listen to interviews &/or read interviews related to the topic of Jews and comics.

I'll provide a listing of a bunch of these below (with their hyperlinks). Perhaps, in the future, Bob could give me a heads-up in advance so that I can give this blog's readers advance notice about such interviews. After all, not all interviewees are as adept at shameless self-promotion as Arie is.

Danny Fingeroth, author of Disguised as Clark Kent : Jews, Comics and the Creation of the Superhero

Peter Kuper, author-illustrator of the short biographical story "Promised Land"(Bleeding Heart #2), as well as the book-length autobiographical Stop Forgetting to Remember : The Autobiography of Walter Kurtz.

Trina Robbins, author of "The Triangle Fire" (Lilith #2) and "Zog Nit Keyn Mol : The Partisan's Song" (Wimmen's Comix #10)

Howard Chaykin (author of American Flagg and Batman / Houdini : The Devil's Workshop) ... On Fighting with Will Eisner

Drew Friedman (MAD Magazine cartoonist)... On What’s Wrong With the Biography, Will Eisner: A Spirited Life

Bob Andelman... On Writing the Biography, Will Eisner: A Spirited Life

Benjamin Herzberg... On Working With Eisner to Craft Fagin the Jew and The Plot

Abraham Foxman (National Director, Anti-Defamation League) ... On Publishing Prospects for The Plot in the Middle East

Saturday, April 05, 2008

Graven Images : Religion in Comic Books & Graphic Novels conference - Boston University

April 11–13, 2008
All conference events will be held in Room 201 on the second floor of the Elie Wiesel Center for Judaic Studies, located at 147 Bay State Road (entrance on Sherborn Street).

Full program may be found online at http://www.bu.edu/luce/calendar/religionincomics.html

The keynote speaker on Friday night (6:00-7:30 pm) will be James Sturm, author-illustrator of The Golem's Mighty Swing.

Of particular interest for those interested in Jewish comics is the Judaism and Identity session scheduled on (of course) Saturday.

Panel 3: Judaism and Identity
1:30 pm - 3:00 pm

"Representing Jewish Identities in Joann Sfar’s Graphic Novel The Rabbi’s Cat"
Marla Harris, independent scholar

"Three Faces of the Comic Book Rabbi"
Laurence Roth, Susquehanna University

"Why Not, in Time, a Judeo-American?"
Vincent Gonzalez, University of North Carolina at Chapel Hill

There will also be a panel on Sunday (11:00 AM - 12:30 PM) which will include panelists A. David Lewis ( The Lone and Level Sands) and G. Willow Wilson (Cairo)

Thursday, April 03, 2008

Art Spiegelman lecture in Toronto tonight!

from http://torontozinelibrary.blogspot.com/2008/03/art-spiegelman-lecture.html :


Comix 101 Forbidden Images and The Art of Outrage
A Lecture by Pulitzer Prize Winning Author, Art Spiegelman

Thursday, April 3 at 7:30 p.m.
at the Isabel Bader Theatre
93 Charles St.
Toronto, Ontario

Students and Seniors: $25
Regular Admission: $40

As arguably the most influential comic illustrator of our time, Art Spiegelman (author-illustartor of the Holocaust memoir Maus) has changed the literary landscape and has carved out an important place for the graphic novel as a tool to weave complex narratives.

Through his writing, Spiegelman makes lessons of the Holocaust, issues of political engagement, and freedom of speech accessible and meaningful to a generation of young people. His approach to history and politics as seen through the unique lens of the graphic novel, has an uncanny ability to uncover the many-layered nature of conflict and identity.

Spiegelman believes that "open discourse ultimately serves understanding" (Spiegelman, June 2006) and that the principles of freedom of speech and the open exchange of ideas are the cornerstone of a free society. Spiegelman will present his view that silencing alternative voices/images is not an acceptable form of political engagement.

Please join us for an amazing evening that is not to be missed. You can purchase tickets now at www.uofttix.ca, or by phone at 416-913-2424. If you can't attend please consider donating a ticket to a student by calling the number listed above.

Presented by Hillel of Greater Toronto and the Latner Jewish Library in cooperation with the Anti-Racism and Cultural Diversity Office University of Toronto, the Lonsdale Annex foundation, NJCL, NOW Magazine, Osler, Hoskin & Harcourt LLP, and UJA Federation of Greater Toronto

Media inquiries please call:
Daniel Abramson
Hillel of Greater Toronto
416-913-2424

daniel.abramson@hilleltoronto.org

http://www.hilleltoronto.org

Sunday, March 23, 2008

Pow! Kosher superheroes!

Now the British newspaper The Jewish Chronicle has published a review of Danny Fingeroth's book (Disguised as Clark Kent: Jews, Comics, and the Creation of the Superhero).
Fingeroth’s book covers the territory thoroughly — but haven’t there been a heap of other similar tomes on the relationship between Jews and comics? Fingeroth insists that he brings an added insight to the genre.

“What I bring to the table of any study in a comics-related topic is the point of view of someone who actually has created comics and characters professionally for decades,” he argues.

Disguised as Clark Kent / Up Up and Oy Vey

The book Disguised as Clark Kent : Jews, Comics, and the Creation of the Superhero by Danny Fingeroth has been getting quite a bit of attention, both online and in print. The most recent review appeared in The Forward : "Marvel’s Mavens" (along with a review of The Ten-Cent Plague: The Great Comic-Book Scare and How It Changed America). My thanks go out to Jana Burkhalter for pointing this out to me.

Some of the articles mention or compare his book to Rabbi Simcha Weinstein's Up Up, and Oy Vey!: How Jewish History, Culture, and Values Shaped the Comic Book Superhero.

Douglas Wolk's "Just Plain Super" argues that both books are trying too hard to Judaize superhero characters who clearly aren't.

Weinstein’s book, in particular, indulges in far-fetched exegesis ... Fingeroth, at least, notes that the themes he’s hunting for are mostly “unconscious and subconscious” on the part of comics creators.


Amy Gluth wrote a review for Jewcy :

I went into Disguised As Clark Kent thinking it would be about the same book as Up, Up And Oy Vey!: How Jewish History, Culture, and Values Shaped the Comic Book Superhero by Simcha Weinstein (Oy Vey is jokier and with more Biblical parallels tossed in), but, despite having nearly the same title and subject, Disguised, I have to admit, is really the leader on the topic with greater contemporary historical detail and wonderful captured social and emotional subtleties. At least in my humble little opinion, it seems to be about Jews first, particularly the immigrant Jewish psyche, and comics we drew second.


Jack Fishel, editor of the forthcoming (Encyclopedia of American Jewish Popular Culture) wrote a review for The New Jersey Jewish News :

a plethora of books have recently appeared that explore the Jewish origins of the comic-books creators. Among the better studies are Up, Up and Oy Vey! How Jewish History, Culture, and Values Shaped the Comic Book Superhero by Rabbi Simcha Weinstein (Leviathan Press) and, now, Fingeroth’s latest work.



In Jennifer M. Contino's interview with Fingeroth (for The Pulse, reprinted at comicon.com), he lists Rabbi Simcha's book as one of his sources for material :

I interviewed some fascinating Jewish comics creators including Stan Lee, Irwin Hasen, Joe Kubert, Jerry Robinson, Jules Feiffer, Neil Gaiman, Brian Bendis, and the late Arnold Drake. Aside from that, Arie Kaplan’s, Simcha Weinstein’s, Jules Feiffer’s, and Gerard Jones’s writing on the topic was very helpful. And thanks to the Internet, I was able to read dozens of articles and essays from all over the world about related topics.


Forbes.com conducted an e-mail interview with Fingeroth :

stories about such topics as--especially in post-Holocaust comics--characters who were survivors of one form of tragedy or another--indeed, the 1950s-and-beyond emphasis on Superman’s status as a survivor of the doomed planet Krypton--echoed what was going on collectively in the minds of Jewish Americans. ”Why did I survive, and not my cousins in Europe?” and so on. The whole point of Disguised as Clark Kent is to explore the nooks and crannies where ethnic identity may have crept into the work when no one--including the writers and artists--was conscious that it was





Jason Berek-Lewis interviewed Rabbi Weinstein for Broken Frontier and discussed the book in the column he wrote a week earlier.

pastordan reposted the press release from State of Belief which was promoting the then-upcoming show (May, 2007) in which Rev. Dr. C. Welton Gaddy interviewed the "Comic Book Rabbi," Simcha Weinstein.

Sean Kleefeld provided a brief review at his blog :

The book wasn't bad at all. My biggest complaint was really that it didn't have enough weight to it; I think a lot more could have been done with the subject matter. Perhaps it's because I've done so much reading on these creators and characters already that I'm far too familiar with the material. This might well be wholly new for many people and, if you didn't know that Bob Kane or Stan Lee were Jewish, this is probably an excellent book to introduce you to those ideas. But it really strikes me as a more introductory text than what I'd be looking for and I have to admit some disappointment with it because of that.


The Jewish Life provides a brief glance at the book with several excerpts from it.

Finally, for those of you who missed Rabbi Simcha's interview on CNN, here's the YouTube video, courtesy of wadeisdead (thanks also go out to the Gruntig blog for pointing it out).



You may read the transcript at http://transcripts.cnn.com/TRANSCRIPTS/0606/19/sbt.01.html (scroll down)

Religion as Apart and a Part of Comics

A. David Lewis has written a general article on the subject of religion and comic books titled "Religion as Apart and a Part of Comics" for Publisher's Weekly. Though it doesn't say much about the specific representation of Judaism in comics, it does mention that Kitty Pryde is Jewish and inludes The Rabbi's Cat as an example of a graphic novel that examines and respects religion.


Not all comics dealing with religion need to challenge it. Many of the most lauded incorporate it, examine it, respect it and remain inconclusive yet affected by it. Some examples are Blankets, Persepolis, Maus, The Rabbi’s Cat, Invisibles. Even as they represent some of the most select comics work, they also represent the medium’s scarceengagements with religion as well. It isn’t hard to find religion within American mainstream comics, but finding it addressed meaningfully is. For all of the innovative exceptions named above, it remains the third rail of the adventurous, dominant genre, only temporarily shocking its characters. Thus, religion in comics can be likened to several concepts of God: it is everywhere and nowhere all at once.

Spider Man is a Jew!

Hana Levi Julian wrote the "Spider Man is a Jew!" article for the online Israel National News, using material from Rabbi Simcha Weinstein's Up Up and Oy Vey : How Jewish History, Culture and Values Shaped the Comic Book Superhero.

Fantastic Four & Jewish "family values"

The Jewish Press published an op-ed piece titled The Fantastic Four's Jewish Family Values about the Jewish underpinnings of the Fantastic Four written by Rabbi Simcha Weinstein, author of Up Up and Oy Vey : How Jewish History Culture and Values Shaped the Comic Book Superhero.


While Judaism has its roots in the accomplishments of powerful patriarchs and matriarchs, a special emphasis is also placed upon the tribe: the synthesis of everyone’s talents for the greater good. The Hebrew word for tribes, shevatim, means “branches,” alluding to their separate yet united nature. In Lee and Kirby’s universe, not even superheroes live in a vacuum. Sometimes they have to rely on their fellow super-colleagues to assist them when the going gets tough.

In an age of terror we all – more than ever – need a return to family values, working together to combine our powers and talents for the greater good. Even a flashy Hollywood movie based on a popular comic book can be a way to convey this important message (in between onscreen explosions and corny jokes, of course).

Thursday, March 20, 2008

Happy Purim!

The Festival of Purim is upon us once again.

As good an excuse as any to borrow (or buy) a copy of JT Waldman's Megillat Esther to read - even if you don't plan on attending a public reading of the Book of Esther.

If you don't know much about JT and his book (beyond what is on the website I linked to), you can read the article "Megillat Esther: The Graphic Novel By JT Waldman", which appeared in last month's The Jewish Press. Part of the impetus for the article was the exhibition of JT's original pages at the Bronfman Gallery, which continues until Easter Monday (March 24th).

7 E. 10th St.
NY, NY
Fri. 8 AM - 4 PM
Sun. 9 AM - 9 PM
Mon. 8 AM - 10 PM

Saturday, March 15, 2008

Comics Journal interviews Jewish cartoonists

The February 2008 issue of The Comics Journal contains an interview with Israeli cartoonist Rutu Modan by Joe Sacco, as well as an interview of Peter Kuper by Michael Dean.

Today (Sunday, March 16, 2008) is, unfortunately the last day for the free online preview of issue #288.

To read the interviews (today only), please go to the following sites :

Rutu Modan : http://www.tcj.com/index.php?option=com_content&task=view&id=785&Itemid=72

Peter Kuper : http://www.tcj.com/index.php?option=com_content&task=view&id=772&Itemid=72

Saturday, February 16, 2008

1 Jewish reason not to attend New York Comic Con

The subject line above is tongue-in-cheek, a reference to other posts
I've made about "Jewish" reasons to attend previous comic conventions.

The Jewish reason not to attend New York Comic Con this year, however, is a reference to the fact that Javits was so successful at booking dates for events that the NYCC organizers had only 2 choixes available to
them by the time that they needed to book the days for the 2008 con :
(1) Choose not to hold the NYCC in 2008
(2) Book the only available block of dates that Javits had left to
offer them : April 18-20.

Alas, these dates conflict with Sabbath eve (Friday night) and the
first 2 nights of Passover.

The significance of Passover for most Jews - regardless of how
observant they are - is better expressed by others in the comics
community who have expressed disappointment at the unfortunate
scheduling, including cartoonist Neil Kleid.

Neil's open letter to NYCC may be found at
http://rantcomics.livejournal.com/183771.html, along with comments to his post. Among the replies is one from Lance Fensterman (Con Director of New York ComicCon).

An excerpt from Neil's letter :

"The Jewish comic book community may seem small, and its creators and fans fewer than the average, but remember that this industry began with names like Kirby, Eisner, Lieber, Kubert and more, many of whom did observe the holidays and rituals that I do. Many of them who might have objected as I do now, to a convention that coincides with the annual commemoration of a great moment in Jewish history and amazing miracles such as the Ten Plagues and the splitting of the Red Sea. Passover may not mean much to the average comic book fan or comic book creators... but I cannot imagine the comics community staying silent if Reed Exhibitions had decided to schedule the New York Comic-Con on Good Friday, Easter or Thanksgiving weekend."


An excerpt from Lance's response :

"Thanks for the open letter, my name is Lance Fensterman, and I run New York ComicCon. Needless to say, I'm none too happy about the Passover situation either, so let's get that out of the way right off the bat - we are really sorry about this and certainly intended no disrespect towards anyone. The unfortunate reality is that these were the dates we were given at the Javits Center. Javits is unlike most places in that the demand for the space far outstrips the availability, so customers, such as NYCC, are left with little to no choice as to what dates we are given. To that point, I'll announce here first that the show will be moving back to February next year - because we want to be in February? Nope. Quite simply, these are the only dates we can get next year."

Rutu Modan at San Diego Comic Con

Israeli cartoonist Rutu Modan (author-illustrator of the graphic novel
Exit Wounds) will be one of the special guests at San Diego Comic Con International this year (July 24-27, 2008).

There is an interview with her in the Winter 2008 issue of Comic-Con
Magazine
(p. 18-21), with a reprint of page 63 of the book.

You may also see reprints of pages 12 & 15-18 by going to the following sites :
http://nymag.com/daily/entertainment/2007/05/comics_exitwounds_1 http://nymag.com/daily/entertainment/2007/05/comics_exitwounds_2 http://nymag.com/daily/entertainment/2007/05/comics_exitwounds_3 http://nymag.com/daily/entertainment/2007/05/comics_exitwounds_4 http://nymag.com/daily/entertainment/2007/05/comics_exitwounds_5

There are also reprinted panels at :
http://www.thefirstpost.co.uk/?storyID=7099
http://www.thefirstpost.co.uk/?storyID=7099&p=2 http://www.thefirstpost.co.uk/?storyID=7099&p=3
http://www.thefirstpost.co.uk/?storyID=7099&p=4
http://www.thefirstpost.co.uk/?storyID=7099&p=5
http://www.thefirstpost.co.uk/?storyID=7099&p=6
http://www.thefirstpost.co.uk/?storyID=7099&p=7

Monday, January 14, 2008

Israeli cartoon exhibition (UK)

New Spiro Ark Tzavta Centre
25-26 Enford St, W1

Sunday 17 February to 14 March 2008

Israeli cartoon exhibition

This cutting-edge contemporary exhibition highlights the work of a group of young Israeli illustrators and graphic novelists and is organized by some of the leading British experts in this field.

Feb. 17th at 7.30pm, opening and wine reception

£5

phone : 020 7723 9991

*****

Although I don't know which works or cartoonists will be featured in this exhibition, the graphic at http://www.jewishbookweek.com/new-books/events.php (where I copied thsi info from) suggests that artwork from Rutu Modan's Exit Wounds will be part of the exhibit.

Rutu Modan at Jewish Book Week 2008 (UK)

Rutu Modan, author-illustrator of the graphic novel Exit Wounds will be one of the featured guests at this year's Jewish Book Week. She will be one of the panelists discussing the portrayal of families & relationships in fiction. It's interesting to me that this year JBW has a cartoonist who is not on a panel alongside other cartoonists.

The description of the panel is below :


Family Affairs
Here, three highly distinctive writers explore dysfunctional families; mining relationships, love and betrayals, secrets and lies.

When We Were Bad, Charlotte Mendelson's novel, tells the story of a high profile woman rabbi’s family in total disarray. In Rutu Modan’s beautifully drawn graphic novel, Exit Wounds, the search for a man feared dead in a terrorist attack reveals someone neither his son nor his lover knew. Blake Morrison wrote two moving memoirs uncovering the lives of both his parents.

Rutu Modan, an illustrator and comic book creator, is a chosen artist of the Israel Cultural Excellence Foundation. She has created comic strips for the Israeli newpapers Yedioth Acharonot and Maariv and illustrations for The New Yorker, Le Monde, The New York Times and many other publications. Her first graphic novel, Exit Wounds, will be published in June. Rutu Modan, usually based in Tel Aviv, is currently in Sheffield, England.

Charlotte Mendelson was born in London in 1972 and grew up in Oxford. She has written and reviewed for the Guardian, the TLS, the Independent on Sunday, the Observer and elsewhere. Her first novel, Love in Idleness, was largely written in her lunch breaks at work. For Daughters of Jerusalem, she was awarded the John Llewellyn Rhys Prize and the Somerset Maugham Award, and was shortlisted for the Sunday Times Young Writer of the Year Award.